Album Reviews

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Michael Fremer  |  Sep 11, 2013  |  5 comments
I'll never forget the first time I heard well-recorded vibes on an audio system. It was at an E.J. Korvette's in Douglaston, NY on a pair of their XAM "house brand" speakers playing in the store's record department. I bought a lot of records there. The album was Terry Gibbs Quartet's That Swing Thing (Verve V6-8447) recorded live at Shelley's Mannehole in Los Angeles.

 |  Sep 04, 2013  |  18 comments
Probably not by accident was this second Blood, Sweat & Tears album not called Blood, Sweat & Tears 2, even though that’s what it is. Child Is Father to The Man the first BS&T album, a jazz infused production featuring on occasion a string section and heavily under Al Kooper’s influence, including the some would call grotesque album cover, was a critical success and a commercial flop.

Michael Fremer  |  Aug 19, 2013  |  6 comments
The late Carl E. Jefferson's Concord Records, (now owned by Concord Music Group, which owns Fantasy, Prestige, Riverside, Stax, Specialty, Telarc, Hear Music etc.), founded in 1972 at a time when the pioneering jazz "majors" Blue Note and the above mentioned Prestige, Riverside, etc. had been bought and turned into catalog to be "asset managed" with little or no forward direction, remains, like Norman Granz's Pablo Records, among the most underrated and undervalued on the used LP market.

Michael Fremer  |  Aug 19, 2013  |  15 comments
Note: What's directly below is a very personal review of Sony/Legacy's late 2000's In A Silent Way 180g vinyl reissue originally published on musicangle.com, followed by an update review of Mobile Fidelity's recent AAA reissue.-ed.

Michael Fremer  |  Aug 19, 2013  |  5 comments
Only side one was actually recorded live at New York's now shuttered Half Note back in June of 1965; the other side was taped during an Autumn studio date at Van Gelder's place in Englewood Cliffs, NJ. The Kelly Trio, which included Jimmy Cobb and Paul Chambers — the rest of Miles Davis' former rhythm section — is joined by one of the world's most original jazz guitarist, the late Wes Montgomery, on a smooth set that goes down easy both because of the straight-ahead swing of the playing and Van Gelder's superb recording. The live side captures Montgomery's rich sound better than any other recording I've ever heard, and the studio side is only down a notch from that.
Michael Fremer  |  Aug 10, 2013  |  34 comments
Escaping The Doors' "Light My Fire" was impossible throughout 1967's "Summer of Love". Likewise, unless you shuttered yourself indoors throughout this year's "Summer of Blah" you simply couldn't avoid Daft Punk's break out hit "Get Lucky" culled from the unlikely number eight spot in the album's thirteen song sequence.

What do I mean by "Summer of Blah"? Is this not the most, compliant, passive, drippy, "blah" generation to come down the pike in decades?

Michael Fremer  |  Aug 10, 2013  |  9 comments
As you know, digital is "perfect", so it shall remain a mystery why Part 1 of the Rolling Stones Box Set feature originally published on musicangle.com in 2011 got lost in the conversion to analogplanet.com. Part II made it. The omission was discovered recently when a reader asked about the recent ABKCO individual clear vinyl reissues. He was told to read the two part story because according to ABKCO, the new clear vinyl reissues were sourced from the files that produced the box set's excellent results, but of course Part 1 was nowhere to be found on the site. So belatedly, here it is.-Ed.
Michael Fremer  |  Jul 24, 2013  |  1 comments
Back in 1995 in The Tracking Angle's second issue I wrote of acoustic folk/blues artist Doug MacLeod's performances on his Audioquest LP Come to Find (AQ 1027): "You'll hear a lifetime's accumulation of feelings, experiences and influences in his fingers, in his voice and in his songs...."

MacLeod was 46 at the time. Eighteen years or so later MacLeod is still at it, as he's been since he picked up bass and guitar as a child. He's issued 19 studio albums some live ones and even an instructional DVD. The years have only enhanced and enriched MacLeod's technical and communicative abilities. He's an even more fluid and nuanced guitarist and singer than he was back in 1995.

Michael Fremer  |  Jul 21, 2013  |  22 comments
Real name Sarah Joyce, the 34 year-old singer-songwriter who goes by the name Rumer (after the English writer Margaret Rumer Godden), was born in Islamabad, Pakistan and is most often described as having a Karen Carpenter-like soothing, dreamy voice.

The daughter of a British woman whose British engineer husband was assigned there to work on a dam, Rumer and her six older siblings lived isolated in an ex-patriot community. Not until she was 11 and her “parents” divorced and the family moved back to England did she and her siblings discover that her father was the family’s Pakistani cook.

Michael Fremer  |  Jul 17, 2013  |  10 comments
Sublime music making of the highest order despite the "shock value" cover, the collaboration between pianist Bill Evans and guitarist Jim Hall, who at 82 is still performing produced two albums of enduring beauty and quiet grace
Michael Fremer  |  Jul 16, 2013  |  2 comments
Best known for playing the traditional jazz it was founded to preserve fifty years ago, the Preservation Hall Jazz Band here celebrates its next fifty with a forward looking program of audacious, often raucous and sometimes mischievous new originals mostly written by 41 year old Ben Jaffe, son of the hall's founders Allan and Sandra and current Creative Director
Michael Fremer  |  Jul 08, 2013  |  6 comments
By the time the "classic" Dave Brubeck Quartet arrived at Carnegie Hall on February 22nd, 1963 it had "practiced, practiced, practiced" as the old joke goes. The quartet of Brubeck, drummer Joe Morello, bassist Eugene Wright and alto saxophonist Paul Desmond was a well-oiled music making machine.

It was also the world's most popular and well-known jazz ensemble, having toured the world for the State Department and released numerous big selling albums such as Time Out, which sold well in excess of a million copies.

Michael Fremer  |  Jul 01, 2013  |  7 comments
This loving tribute to Les Paul featuring longtime trio cohort Lou Pallo and others with whom Les played at Fat Tuesdays and the Iridium is musically fabulous assuming you like the timeless "old school" style. And if not, why not? If it's good enough for Keith Richards, Steve Miller, Billy F. Gibbons and Slash, among others who perform here in that style, well hell, then it's good enough for you!

No doubt Les's playing and his technological innovations with guitar and multi-tracked overdubbing affected all of them. But surely his playing hit them more squarely in their young guitarist wheelhouse.

Michael Fremer  |  Jun 30, 2013  |  21 comments
Last winter an old audio biz friend of mine visited bearing a gift: a new Italian 45rpm pressing of Gil Evans' dark, brooding and oh so slinky 1960 recording of Out of the Cool originally issued in 1961 by the then new Impulse! label created by producer Creed Taylor for parent company ABC-Paramount. The album was Impulse! A-4, the label's fourth release.

This reissue on the DOXY label puts the entire album on a single 45rpm record. Given that side one runs almost 21 minutes, I was surprised they squeezed it onto a single side. Sides two's approximately 16 minutes is slightly more manageable with "slightly" the operative word.

Michael Fremer  |  Jun 27, 2013  |  31 comments
Dylan claims Blood on the Tracks' pained, heartbreaking and often very angry and vicious songs weren't personal confessionals, though he was in the midst of a painful divorce. His son Jakob says they were. Does it really matter if they were about or inspired by his life? He delivers them as if they were very personal as does any great actor, but they are just as satisfying or disturbing thought of as having been inspired by his personal circumstances at the time.

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