Album Reviews

Sort By: Post DateTitle Publish Date
Michael Fremer  |  Jun 01, 2004  |  0 comments

Calling himself Palace Music, or Palace Brothers, or Push, and of late Bonnie “Prince” Billy, the enigmatic Will Oldham, aided by a group of musical cohorts, has been making a spare brand of dry, mournful country/rock music for more than a decade. Before the term alta-country had been coined, it could be argued, the 34 year old Oldham had both invented and perfected the musical form on a series of genre-shattering albums issued on the Chicago based Drag City label beginning in 1993.

Michael Fremer  |  Feb 22, 2015  |  6 comments
What can these two tow headed little brothers pictured on the cover know about Big Bill Broonzy? Obviously plenty as you'll hear on this inspired collaboration—the Alvin brothers' first together in almost thirty years.

Andy Goldenberg  |  Mar 01, 2005  |  0 comments

Well it took almost a decade but it was worth it! Whether the highly successful Pixies reunion was the catalyst or not, American Music Club (AMC) consisting of Mark Eitzel on lead vocals and rhythm guitar, Vudi (Mark Pankler) on lead guitar, Danny Pearson on bass have come up with a set of songs that easily measure up with and perhaps surpass anything in their illustrious canon.

Michael Fremer  |  Feb 01, 2007  |  0 comments

Decemberist leader Colin Meloy has crafted a charming, hour long folk/ rock opera based on an ancient Japanese fable dealing with greed, loyalty and betrayal. A poor man finds a wounded crane, which he rescues and returns to good health. Shortly after releasing it back to the wild, a mysterious woman arrives at his home. The two fall in love and get married. To make ends meet, she agrees to weave silk garments to sell at the local market. Her only condition for doing the work is that he never watches her doing it.

Michael Fremer  |  Apr 21, 2022  |  5 comments
Jazz historian, Resonance Records Co-President and tireless searcher for unreleased jazz treasures Zev Feldman in 2015 was searching the French Institut National de la audiovisual (INA) archives when he came upon the complete, never before released in their entirety, Albert Ayler’s 1970 ORTF 1970 Fondation Maeght Recordings, recorded by Radio France, using professional recording equipment—a completely different STEREO source for this material than the radio broadcast, parts of which had previously been issued.

Mike Mettler, Mark Smotroff  |  Dec 30, 2023  |  14 comments

Looks like another year has gone by with a seemingly endless release-cycle parade consisting of scores of brand-new LPs from both known artists and untested newcomers alike, along with a myriad of archival vinyl reissues and overstuffed box sets galore — a good number of them presented in the much-preferred AAA form to boot. With the calendar set to turn over to 2024 any day now, that means it’s high time to assess the best of what we’ve heard on wax during the past 12 months. Read on to see AP editor Mike Mettler and chief LP reviewer Mark Smotroff’s respective lists of the top archival and new LP releases of 2023. . .

Michael Fremer  |  Dec 12, 2013  |  37 comments
This ravishing beauty, originally released in 1960 or fifty three years ago, has been a long-time audiophile classic. It's also considering to be among the finest if not the finest performance on record or any other format.

Michael Fremer  |  Mar 25, 2022  |  49 comments
The original British pressing of Are You Experienced? (Track 612 001) was a tepid looking and sounding monophonic affair and despite the label’s name, the jacket didn’t list the tracks, nor did the front offer the band’s name.

Simon Guile  |  Aug 18, 2021  |  14 comments
With a career spanning more than six decades, Herbie Hancock is one of the most treasured names in jazz. From his early days with Blue Note, to his last release (2010’s The Imagine Project), there are more than a few of his impressive 46 albums that people consider to be favourites. My personal favourite however, is the fusion classic, 1973’s Headhunters.

Michael Fremer  |  Apr 05, 2014  |  9 comments
A thousand United Airlines commercials later and Gershwin's "Rhapsody In Blue" still sounds fresh, lavish and grand. It epitomizes New York City in its golden jazz age and with every listen opens the mind's eye to yellow incandescent lit Art Deco granite skyscrapers and the general urban dazzle of pre-WWII America. I never get tired of listening to it, the later at night the better for some reason. It could only have been written in America by an American.

Mark Smotroff  |  Nov 15, 2022  |  28 comments

Last week, we sung the praises of the new 180g 1LP Geffen/UMe edition of Steely Dan’s November 1972 debut album, Can’t Buy A Thrill. This week, we cue up Analogue Productions’ 200g 2LP UHQR edition of Thrill, and — spoiler alert! — it’s one of the best listening experiences you’ll have this year (or any other). Read on to find out all the pressing details why this 200g Thrill is one for the ages. . .

Michael Fremer  |  Mar 07, 2022  |  9 comments
Danish immigrant Jacob Riis’s photojournalism book “How the Other Half Lives” published in 1890 documents the squalid life in New York City’s teeming Lower East Side slums crowded with Irish, Jewish, Italian, Chinese and other newly arrived immigrants. The muckraking book made an immediate impression upon New York’s upper classes and led to many reforms.

Julie Mullins  |  Feb 01, 2023  |  1 comments

New LP review alert! This is the first installment in a new series of album reviews we’ll be doing here on AP wherein we catch up on LP releases we weren’t able to cover when they initially came out in the not-so-distant past, but are indeed ones we feel are worthy of note. Read on to get our take on Andrew Bird’s most intriguing 2022 LP, Inside Problems. . .

Michael Fremer  |  May 30, 2021  |  10 comments
Some people collect Tone Poet Blue Note reissues the way some people amass baseball cards. I know more than a few Tone Poet enthusiasts who, after buying one, had a Bert Lahr Lay’s potato chip moment and couldn’t stop buying them—at least until they encountered the late pianist/composer/arranger Andrew Hill’s Blue Note debut Black Fire (ST-84151/B0029975-01).

Michael Fremer  |  Dec 10, 2016  |  7 comments
Angel Olsen's third album reminds me of Elvis Costello's first even though she's mostly vulnerable whereas Costello was angry and snarly. The similarity is in how both make fresh older rock conventions like power cords and '50s era rhythms.

Pages

X