Album Reviews

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Michael Fremer  |  Apr 01, 2008  |  0 comments

MP3s spread “virally.” Large corporate interests didn’t push them. Vinyl is resurgent for the same reason. It’s a ground up movement. Construct that way and you have a strong foundation for a long-lasting building. That’s what gives hope for vinyl’s long term growth and sustainability.

Michael Fremer  |  Apr 01, 2008  |  0 comments

Like a musical Old Faithful, Richard Thompson dependably spews an album’s worth of inspired material at regular intervals. He’s been doing this since 1972’s Henry the Human Fly (Island ILPS 9197), which is so deserving of a high quality all-analog reissue.

Michael Fremer  |  Jan 01, 2009  |  0 comments

The timbre may have deepened, though almost imperceptibly, but caressing the soft, melodic waves of this set of tidily drawn, dreamy reveries, k.d. lang�s voice remains a magnificent, mellifluous instrument.

Nick Katsafanas  |  Jun 01, 2008  |  0 comments
Ryan Adams is a song-writing machine. With over 206 tracks recorded, the 33-year-old singer/songwriter has amassed a deep and thorough song library. In 2007, he released two albums, an LP and an EP. His 2007 LP, Easy Tiger , received rave reviews and debuted at #7 on the Billboard Top 200 chart. While Easy Tiger was recorded during a time when Adams was going through Valium therapy to beat his heroin addiction, the EP Follow The Lights was written during a rare time of sobriety. Adams’ clear (er) mind state really shows.
Michael Fremer  |  May 01, 2008  |  0 comments

Another Pure Pleasure mono reissue more important for the music than for “audiophile sound,” which these 1950 and 1951 mono sessions surely are not.

Michael Fremer  |  May 01, 2008  |  0 comments

Dexter Calling , recorded May, 9th, 1961, just a few days after Gordon’s Blue Note debut session, opens with “Soul Sister,” a “chicken and biscuits” track the tenor saxophonist wrote for the West Coast edition of “The Connection,” which Freddie Redd had scored for the East Coast original. The tune’s slow, bluesy, Southern-tinged melody, played in ¾ waltz-time sounds like something Floridian Cannonball Adderley might have penned though Gordon grew up in Los Angeles, son of a prominent physician who tended to the likes of Duke Ellington and Lionel Hampton.

Michael Fremer  |  May 01, 2008  |  0 comments

Recorded in 1976, this audiophile classic sounds as astonishingly natural today as it did back then, only much better now given the improvements in modern analog playback gear.

Michael Fremer  |  May 01, 2008  |  0 comments

Say what you will about the slick, commercial Nashville sound that’s evolved from the fine “countrypolitan” one developed by Chet Atkins and crew at RCA Studio B back in the ‘60’s, at least they still have great studios, skilled engineers and teams of tasty lick players in Music City, all of which are on display here.

Michael Fremer  |  May 01, 2008  |  0 comments

Paul McCartney still has an unerring ear for a good melody. That’s something even his most severest critics can’t take away from him.

Michael Fremer  |  May 01, 2008  |  0 comments

This record makes Scott Walker’s last two bleak outings sound positively festive. Harvey has never been an easy listen throughout her decade plus career. She could be dark, abusive, angry, pained, vulnerable, strong and raw-edged, but she could never be easy and she’s not here, as ghostly and pained a musical figure as you’re likely to encounter on record.

Michael Fremer  |  May 01, 2008  |  0 comments

Before the folk revival of the 1950’s and ‘60’s fomented by the likes of The Weavers and later The Kingston Trio and Peter, Paul and Mary, there were the originals like Huddie Ledbetter, better known as Leadbelly. He was born in the 1880’s (exact date unknown) and he died in New York City, December 6th, 1949 of Amyotrophic Lateral Sclerosis, better known as “Lou Gehrigs Disease.”

Michael Fremer  |  May 01, 2008  |  0 comments

To live as the non-English speaking world experiences our pop music, you might try this record of familiar Leonard Cohen songs sung in Swedish by Jan Erik Lundqvist. So popular are Mr. Lundqvist’s interpretations that he’s put out two volumes. This first one dates from 2002, which Meyer records reissuing it on 180 gram vinyl more recently. Leonard Cohen apparently approves.

Michael Fremer  |  Apr 01, 2012  |  3 comments

A terrible wrong has been corrected! Lovingly produced by Phil Ramone and engineered by the great Al Schmitt all-analogue at Shelby Lynne's insistence, the original vinyl release of this album was mastered from an 88.2K digital file and pressed at United in Nashville, America's and one of the world's worst pressing plants. 

Michael Fremer  |  Jan 01, 2009  |  0 comments

This band of British rock and roll survivors led by David Gedge has been at it since 1985, releasing their debut LP George Best (named after a famous �60�s era soccer star) two years later on their own Reception Records label.

Michael Fremer  |  Jun 01, 2008  |  0 comments

On the opener, “Dragonfly Pie,” Stephen Malkmus and The Jicks want to lay a heavy trip on you, man. Dualing fuzz toned and wah-wah’d guitars, Mitch Mitchell (or Ed Cassidy)-like skin pounding (by Janet Weiss late of Sleater-Kinney), a plodding rhythm and a lysergic vibe produce an acid flashback swirl. Until the chorus, that is, where it becomes positively skip- on-stone jaunty.

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