LATEST ADDITIONS

Mike Mettler  |  Jun 29, 2022  |  1 comments
This is some most welcome pressing news indeed. To wit: Fidelity Record Pressing (Fidelity) has just announced a state-of-the-art record-pressing facility is being constructed from the ground up in Oxnard (Ventura County), California, and it will launch in Q1 2023.
Mark Smotroff  |  Jun 24, 2022  |  20 comments

There’s a striking new reissue from Craft Recordings I’m sure many jazz fans and collectors are as excited about as I am: 1957’s The Poll Winners. This LP features three of the greatest jazz musicians of their time — Barney Kessel on guitar, backed by Shelly Manne on drums and Ray Brown on bass. How does Craft's QRP-pressed 180g reissue sound and compare to my original LP? In short, it is pretty fantastic. The new edition is much bigger-sounding in many ways, notably on the low end. Read on to find out more. . .

Mike Mettler  |  Jun 23, 2022  |  15 comments
Extra, extra, read all about it: Jethro Tull's seminal March 1972 album Thick as a Brick is soon coming our way in a 50th anniversary 1LP half-speed master in its original newspaper packaging on July 29, via Parlophone.
Mike Mettler  |  Jun 22, 2022  |  21 comments
It's demo time! Garth Leerer of Musical Surroundings will demonstrate the new DS Audio ES-001 Eccentricity Detection Stabilizer, which was introduced at the Munich High End show, at Quintessence Audio in Chicago this Saturday, June 25, from 1 to 6 pm (Central time).

Mark Smotroff  |  Jun 17, 2022  |  19 comments
I discovered New York’s Grizzly Bear in a most typical way, for me — over the in-store PA system at Amoeba Music here in San Francisco. When their in-store play got to the band’s then-big hit — “Two Weeks,” from their May 2009 album Veckatimest — I realized I had indeed previously heard the song’s distinctive, earworm-inducing, millennial-whoop-flavored signature hook. Soon enough, I started collecting the Grizzly Bear catalog on vinyl. While I’ve enjoyed my 180g Veckatimest reissue, I’ve long suspected there might be more depth tucked away in the recording. Thus, I was excited to learn the good folks at Vinyl Me Please were re-releasing Veckatimest in a half-speed mastered, 45rpm colored vinyl edition.
Mike Mettler  |  Jun 16, 2022  |  106 comments
It’s a new era here at Analog Planet, starting today. You’ll get all the in-depth album reviews, detailed equipment reviews, news about upcoming vinyl releases and new gear announcements, as well as deep-dive, vinyl-centric interviews with musicians, producers, engineers, and manufacturers alike, just as you’ve come to know and expect. If you are part of the great vinyl resurgence, then this is your home, and we aim to make you very welcome.
Malachi Lui  |  Jun 15, 2022  |  2 comments
(Review Explosion, curated by contributing editor Malachi Lui, is a guide to notable recent releases and reissues. It focuses on the previous few months' new releases for which we don't have time or energy to cover more extensively.)
Malachi Lui  |  Jun 13, 2022  |  50 comments
Whether it's the 60s material controlled by ABKCO or the 1971-onward catalog owned by the band, the Rolling Stones' discography is among the world's most tirelessly and excessively reissued; every few years, there's yet another remastered, repressed, repackaged reissue of the same decades-old classics. After several mediocre reissues of the Rolling Stones Records albums (particularly the first and best two, Sticky Fingers and Exile On Main Street), AnalogPlanet editor Michael Fremer found the half-speed mastered 2018 Studio Albums Vinyl Collection 1971–2016 box set (now available as individual albums) to best capture the original LPs' spirit, even if sometimes lacking in transparent analog sparkle. However, I thought another perspective on the Sticky Fingers and Exile reissues, also taking into account the Japanese flat transfer CDs, would be useful.
Michael Fremer  |  Jun 07, 2022  |  12 comments
Yukiseimitsu Audio AP-0 analog record player

One person can't possibly visit every room at a convention center show as large as High End Munich—even if your sole goal is to cover analog products. Maybe that was possible a decade ago but now? No way! You must make editorial decisions and pass by some rooms. For instance, having given Avantgarde Acoustics and its new powered G3 iTRON loudspeaker system full coverage at AXPONA, I decided I could skip their Munich room. Little did I know that SME would be demonstrating its new Model 60 in the Avantgarde Acoustics room, so the Model 60 is not covered here. However, I did visit the factory for a semi-exclusive look so if you've not seen the coverage, click on the hyperlink.

Malachi Lui  |  Jun 04, 2022  |  20 comments
By 1981, The Clash was in shambles. Seeking more direction following their 1980 triple album Sandinista!, co-frontman Joe Strummer and bassist Paul Simonon rehired the band's notoriously difficult original manager, Bernie Rhodes, to the dismay of other co-frontman Mick Jones. Jones sought to continue the band's expansive forays into dub, reggae, and hip-hop, while Strummer wanted something more streamlined. Yet despite all of that, plus drummer Topper Headon's spiraling heroin and cocaine addiction, The Clash toured and managed to record new material at The People's Hall in the Republic of Frestonia (a small area in West London populated by squatters hoping to secede from the UK) as well as Electric Lady Studios in New York City.

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