Album Reviews

Back in “the day,” budget labels like Seraphim (Angel), Cardinal (Vanguard) Victrola (RCA) and Odyssey (Columbia) usually released old recordings at low prices. Many of these were great performances from either mono recordings (sometimes foolishly "reprocessed for stereo") or transferred from 78rpm parts.

You gotta thank Sundazed for digging out and reissuing raw, vital stuff like this and not charging audiophile prices. For one thing, they wouldn’t be able to sell it for $30.00 and it wouldn’t be worth lavishing such care on it anyway. But that doesn’t mean stuff like this is any less worthy.

Whenever a record shows up I like to look at the lead out groove area to see who did the lacquer cutting. Sometimes there’s nothing to be found and that’s annoying, but with this double set I thought I was hallucinating because in plain view was “TML-M” a stamp not seen on a slab of new vinyl in decades. TML is the acronym for “The Mastering Lab” and the “M” means the main lathe at Doug Sax’s place.

In the early �70�s, with the second great rock era in its death throws, the rock intelligensia hungered for something, anything that might reinvigorate the softening musical firmament.

Coincidentally (or not?) this more than one year old release came to my attention, and I first played it on the daythe Exile on Main Streetreissue hit record stores. The band has been around for 15 years and has nine albums. I plead appalling ignorance but better late than never.

While two of the three previous jazz records guitarist/arranger Anthony Wilson made with producer Joe Harley were guitar/drum/organ sessions, this one also featuring those instruments is much different.

The first two sides of this double record set spotlight Hooker, his incendiary, coiled-snake stinging guitar, his foot stomping, mutable time-keeping and his chant-like, mournful singing all recorded intimately. Canned Heat co-founder Al Wilson contributes harmonica and piano on some of the tunes that are otherwise all Hooker.