LATEST ADDITIONS

Michael Fremer  |  Nov 01, 2008

Listening to a straightforward, blues/gospel-drenched comping session like this reminds you that jazz has lost its soul today and aims mostly for the head. There’s nothing wrong with that, but it’s good to get back to the essential, visceral nature of the genre. This set, recorded in New York at an unidentified studio or studios on three days during the summer of 1963, let’s you know why.

Michael Fremer  |  Nov 01, 2008

When this record was issued in 1976, 47 year old Betty Carter (born Lillie Mae Jones) had already sang with Dizzy, Miles, Lionel Hampton, Sonny Rollins and many others.

Michael Fremer  |  Aug 01, 2008

In the nervous, jumpy, wiry world of guitar-driven late ‘70’s-early ‘80’s post-rock intellectual punk, popularized by bands like Gang of Four, Buzzcocks, early XTC and (more broodingly) Wire, Mission of Burma was America’s premier practitioners. They probably accrued more legend than record sales, though.

Michael Fremer  |  Aug 01, 2008

Reminiscent of what Carl Jefferson was doing at Concord back in the 1970’s, this reissue of a French Black and Blue release recorded March of 1978, keeps alive the straight ahead tradition that seemed to be passing into jazz history back then.

Michael Fremer  |  Aug 01, 2008

Memories can play nasty tricks on the mind. Events long since past that once seemed sublime can turn out to be anything but when the time machine slides them into the present.

Michael Fremer  |  Aug 01, 2008

Legendary, much sought after and barely in print when first released on the obscure International Artist label, both the original mono and stereo versions of Roky Erickson’s psychedelic scream and surf fest fetch big bucks.

Roger Hahn  |  Jul 31, 2008  |  First Published: Dec 31, 1969

The Motorcycle Crash.

The famous motorcycle accident in 1966 that disabled a rising music star—then mired in a now long-forgotten controversy of folk-versus-pop—setting the stage for an extended period of seclusion and retreat. It’s an episode that continues to intrigue tellers of the star’s story (a recent article in American Heritage magazine, for example, can’t help introducing it as “The Bob Dylan Motorcycle-Crash Mystery”).

And for many chroniclers, it remains the central event in the Legend of Bob Dylan, the before-and-after moment, the durable frame for the-young-and-the-old, the-rise-and-the-fall, the Icarus-inflected storyline of the-burning-meteor-and-the-fallen-angel cautionary tale.

Roger Hahn  |  Jul 31, 2008  |  First Published: Dec 31, 1969
Michael Fremer  |  Jul 31, 2008  |  First Published: Dec 31, 1969

Legendary photographer Jim Marshall recently said that of all the magazine spreads that have used his images over the years, the one appearing in The Tracking Angle issue 13 was one of a “handful” of the finest ever.

Roger Hahn  |  Jul 31, 2008  |  First Published: Dec 31, 1969

What’s not to love about Goin’ Home, the all-star tribute to New Orleans’ own Antoine “Fats” Domino, sweet-voiced and rhythmically inspired proponent of the Crescent City’s great R&B tradition?

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