LATEST ADDITIONS

Michael Fremer  |  Mar 19, 2013  |  First Published: Dec 31, 1969
The Ukranian pianist Valentina Lisitsa, who has more than 30 million YouTube channel views (and you thought classical music was 'dead'?) and is currently signed to Decca Records, will soon issue a collection of Liszt pieces recorded two different ways: digitally and all-analog with no edits, recorded from the same set of microphones.
Michael Fremer  |  Mar 18, 2013  |  First Published: Dec 31, 1969
Howard Stern crapped all over me today on his radio show. The opening salvo came just after he admitted that he really doesn't listen to music anymore, couldn't care less and couldn't bring himself to play David Bowie's new album.
Michael Fremer  |  Mar 15, 2013  |  First Published: Dec 31, 1969
Oh well. My segment on Gary Dell'Abbate's and Jon Hein's VH-1 Classic TV show "For What It's Worth" aired last night. I thought it was next Thursday evening.
Michael Fremer  |  Mar 12, 2013  |  First Published: Dec 31, 1969
Whether or not you appreciate the mono "old 78rpm" sound of Bryan Ferry's re-imagining of songs from his catalog as "jazz age" singles (I do so far), I came upon a serious pressing problem on side two track three that I brought up to Bob Ludwig, who gets mastering credit because I honestly wasn't sure if it was part of the " retro-plan" or a genuine pressing problem. In part that's because there's absolutely nothing visible to indicate a problem.
Michael Fremer  |  Mar 02, 2013  |  First Published: Dec 31, 1969
It's time to put to bed a long standing record myth: that UK Decca and UK-pressed London records are different pressings, even if they have the same matrix numbers, mother numbers and stamper numbers. This myth has persisted for a very long time, fed by people who claim to hear differences between such records even when the information in the lead-out groove area is identical.
Michael Fremer  |  Feb 26, 2013
Sexual obsession, ugly betrayals, bitter kiss-offs, working men's tribulations, murder and mayhem— all of the traditional British balladry fare continue to preoccupy Richard Thompson as they have for decades. While he's moved on occasion through musical fashion, he always manages to return, as he does here, to his ground zero (dis)comfort zone.
Michael Fremer  |  Feb 23, 2013
Everyone knows that composer John Williams cribbed Holst's "The Planets" for his "Star Wars" soundtrack. Fewer know that the main theme and even the arrangement for "Star Wars" is almost a complete rip of Eric Wolfgang Korngold's score for the movie "King's Row" starring Ronald Reagan, Ann Sheridan and Robert Cummings. People absolutely freak out when I play it for them.
Michael Fremer  |  Feb 22, 2013  |  First Published: Dec 31, 1969
The first 27 of the hundreds of Analog Corners written for Stereophile have now been published on this site with many new accompanying photos courtesy of Ariel Bitran, Stereophile's hard working editorial assistant.
Michael Fremer  |  Feb 20, 2013  |  First Published: Dec 31, 1969
Here's a company that fell well below my radar screen for years until a reader alerted me to its website. The Electric Recording Company and its founder Pete Hutchison is dedicated to reissuing on vinyl much sought after classical music fare from the early LP era, including those of legendary violinist Johanna Martzy as well as recordings by violinists, Leonid Kogan and Gioconda De Vito, ‘French School’ pianists Yvonne Lefébure and Germaine Thyssens-Valentin and cellist János Starker.. Or as the website describes the musical choices "...iconic 'Holy Grail' recordings by the most revered classical performers."
Michael Fremer  |  Feb 19, 2013
With his influences clearly imprinted on his creative sleeve, Adam Duritz and friends created in 1993 one of the last great analog rock recordings. Duritz understood that sound mattered as did producer T-Bone Burnett who continues to treasure the basic sense even when working with diminished budgets.

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