“Why another Axis: Bold As Love?” That’s what I asked myself before buying this SACD. After all, mono and stereo AAA LPs have been in print for several years, and were obviously made for audiophiles. For digital listeners, the most recent CD edition mastered by the late George Marino at Sterling Sound isn’t bad. How much better can this album sound?
79 year old Beverly "Guitar" Watkins, unknown to most in the audience, puts on a fiery, funky and fierce standing ovation hour-long performance on the first night of Chad Kassem's "Blues at the Crossroads" Blues Festival Friday October 26th.
The by-subscription Newvelle jazz label just launched season four of its unique original LP series. The vinyl-only 6 LP series consists of original productions, all recorded and mixed at East Side Sound in New York by Marc Urselli with lacquers mastered by Alex DeTurk. Pressing has moved from MPO to Chad Kassem's QRP in Salina, Kansas.
This performance by 85 year old Blues legend Bobby Rush is the first in a series of videos shot at this year's "Blues at the Crossroads Blues festival at Blue Heaven Studios in Salina, Kansas. Blue Heaven Studios and the festival are part of Acoustic Sounds' Chad Kassem's music empire.
The innards of the ASR Basis Exclusive phono preamplifier, reviewed in this column.
Press kits arrive at my house almost daily, trumpeting one thing or another, including upcoming hi-fi shows around the world. Recently, none has provided quite the jolt to my system as one sent by Steve Rowell of Audio Classics in Vestal, New York. It's for the New York High Fidelity Music Show, September 29October 3. Don't worry, you haven't missed it. Well, you haveby 38 years. Rowell sent me a genuine classic: a press kit for a hi-fi show held in 1965.
Tom Fine, re-mastering producer of the first two soon-to-be-released Analogue Productions Mercury "Living Presence" titles talks with AnalogPlanet editor Michael Fremer about the all-analog mastering process, with lacquers cut by Ryan K. Smith from the original 3 track master tapes.
Here's a video in which AnalogPlanet editor Michael Fremer "unboxes" the 4 LP and and Deluxe 6 CD+Blu-ray boxes containing Giles Martin's The Beatles remixes, the Esher Demos and in the case of the Deluxe set, a great deal more!
If you want to quickly know if you’re going to like Giles Martin’s The Beatles remixes start with “Long, Long, Long”. If you don’t like that one, you’re probably not going to like the rest, but for me, that remix in particular is far superior to the one on the two original “Top Loader” U.K. pressings I have: more transparent and more spacious, with a holographic George front, center and three-dimensional as he’s not presented on the original.
Every edition of Primedia's annual Home Entertainment show (formerly known as Stereophile's Hi-Fi Show) takes on a life of its own, even if the venue, the participants, and the products are mostly familiar. It has to do with a confluence of factorsthe paying customers, the weather, current events, whatever seems to be the hot industry trend, and just "the ether."
Home Entertainment 2003, held this past June at San Francisco's venerable WestinSt. Francis Hotel, was no exception. The contours of this show's personality were drawn in greater relief for those of us who had attended the previous show at this venue, back in 1997.