Album Reviews

What do I mean by "Summer of Blah"? Is this not the most, compliant, passive, drippy, "blah" generation to come down the pike in decades?

David Bowie’s October 1973 covers album, Pin Ups, was actually somewhat of a placeholder, made with the intention to fulfill contractual requirements for his then-label, RCA Records — but it actually became a smash hit. To celebrate the album’s 50th anniversary, Parlophone is releasing a 180g 1LP half-speed-mastered edition on October 20. Read Mark Smotroff’s review to see if the new Parlophone Pin Ups is a worthy addition to your LP listening queue. . .

The three new Chesky works on this stupendous-sounding disc are easily his boldest, most ingenuous and fully realized compositions yet. One needn't be a classical music critic-and I've never claimed to be one-or even an experienced classical music listener (a claim I can make), to immediately grasp and appreciate both the conceptual audacity of the music, which melds traditional classical motifs with flamenco accents, South American folk music and contemporary jazz, and the skill displayed by the composer in weaving the thread of his concept throughout the three pieces. If you want a high-concept one line “treatment,” how about “Chesky and Stravinsky Joyride South of the Border and Return to New York to write up the trip?”

After collapsing on stage three years ago and nearly dying of complications brought on by Hepatitis C, Austin, Texas based rock and roller Alejandro Escovedo returns with a deeply moving John Cale produced album that reclaims his past musical ferocity, while moving the 55 year old survivor forward into sensitive new musical and lyrical territory.

Long time Decemberist fans will note the return to basics on this set of sturdy, anthemic Colin Meloy penned Celtic-style folk-rock tunes packed with heroic, pseudo-mythical lyrics and mixed time metaphors.

Groups like Fairport Convention, The Incredible String Band, and Pentangle thrived in relative obscurity, even at their peaks. They're probably more appreciated and better known today than they were back in the 1960s. Low, a contemplative, musically soft-spoken trio from Duluth, Minnesota and playing since the early '90s, succeeds today with a similarly small but dedicated following much as those fabled "folk" groups did back then: quality of fans over quantity. Low tours, forms musical alliances with other groups (an EP with Australia's Dirty 3, for instance), and issues records and CDs. The band also sells T-shirts and other merchandise online. Most importantly, Low's thoughtful, enigmatic music is in some ways merits comparison to the now-legendary groups mentioned above.