Album Reviews

Never mind that the tape has some occasional serious dropout, never mind that the legendary performance of the title track “One Down, One Up” commences mid way through the tune during a Jimmy Garrison bass solo, never mind that these performances are station dubs from live radio broadcasts, never mind Alan Grant’s radio announcements sprinkled throughout, and never mind that this treasure trove is probably not in the same league historically as the Thelonious Monk/John Coltrane Carnegie Hall concert unearthed at the National Archives and issued by Mosaic on vinyl recently (MQ1-231).

When this arrived I stated the obvious to myself “Why would I want to hear Dion sing the blues?” I can hear Robert Johnson do his own tunes, I can hear them “rock-a-fied” to great effect on any number of albums from the 1960’s, I can hear other blues greats, from Mississippi John Hurt to Howlin’ Wolf to Lightnin’ Hopkins, singing their originals and covers, some superbly recorded, and generally I was so down on this disc that I played it more to see how awful and/or pointless it was.

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And also, bravo to you for remastering something PRIMARILY FOR ITS MUSICAL VALUES that could by no means be considered an “audiophile favorite,” but is so much more essential as music than any number of cheese “audiophile” reissues.” No doubt you’ll field a few silly complaints from people who don’t understand the limits of these master tapes. (Classic showed the same good attitude when they reissued the Munch “Saint-Saens Organ Symphony” [LSC-2341], which “has distortion on the master tape”… but hey Audio World, it’s the BEST PERFORMANCE of a great work, and sounds thrilling!)

This most popular of Green Day albums, a swell kiss off to Bush and his rogue administration is now so old it’s grown whiskers, but it hasn’t lost any of its punch. In fact, cut to wax it intensifies into a category five musical and political hurricane.

The Irish folk/pop singer Mary Black, a genuine superstar at home, has built a worldwide following on the strength of her mesmerizing, crystal clear voice and an uncanny ability to wring every drop of meaning from the lyrics she interprets.

Note: the impeccably packaged double 180g vinyl set just out (late November, '06), while still lacking top end shimmer and air, exudes an overall clarity, transparency and three dimensionality that leaves the CD far behind. And the bottom end rocks. The vinyl gets an "8" for sound


Though it commences with “Saving Grace,” a John Lee Hooker crawlin’ king snake-riffed rocker, there’s less confrontation and more contemplation on Tom Petty’s tune-soaked new solo album. The “I Won’t Back Down” Petty of Full Moon Fever is gone, replaced by a more accepting, older observer of time and terrain passing.

Issued in 1982 as the couple were going through a painful divorce, Richard and Linda Thompson’s Shoot Out The Lights became an immediate critic’s “must have” album. Despite the wildly enthusiastic world-wide press and the couple’s brave decision to tour in support of the album despite their personal acrimony, it was never a big seller.