When Buffalo Springfield broke up, Neil Young set about building his solo career. The high-production work with Jack Nitzsche that had created classics like “Expecting to Fly” and “Broken Arrow” brought Neil back to the producer/keyboardist/orchestrator, who gained fame working with Phil Spector but the results on Young’s eponymous debut album were not as memorable. In fact, many critics and fans alike back in 1969 considered the album a disappointment and a misstep.
Josie Cotton, best known for her “controversial” 1980 song “Johnny Are You Queer” that turned into a minor international phenomenon while outraging evangelical types and has a back story worthy of a mini-novel, returns with a high low-concept album. You can search the internet for the backstory and watch her perform the song on YouTube.
The classic Phil Spector Christmas album is Sundazed’s holiday gift to us all. Mastered in glorious mono from the original mono master tape (while Phil didn’t do stereo the late Larry Levine, Gold Star Studio's premier engineer produced a very good stereo mix in the early 1970's).
When Bob Dylan “plugged in” at Newport back in ’65 the legion of original fans went bonkers, jeering and booing, but Dylan persevered and his popularity grew as the much larger rock audience tuned in, thanks in part to covers by The Byrds on their first album.
In his annotation, jazz critic/social commentator Nat Hentoff writes about this 1959 meeting between tenor sax legend Ben Webster and baritone sax smooth talker Gerry Mulligan: “It seems to me that even the most rash liner note writer has to pause before predicting the longevity of the session he’s assigned to introduce, but it requires neither courage nor obtuseness to underline the obvious likelihood that this one will be listened to as long as anyone cares about jazz.”
The 36 year old Malian singer-songwriter Rokia Traoré, daughter of a globe-trotting diplomat, has been performing and recording for over a decade now. This, her third album from 2008, has only recently been released on double 180g vinyl.
Elvis in the army meant no new albums or singles from the King so RCA producers raided the vaults to put together this album and A Date With Elvis (LPM-2011).
The death of Noel Brazil, Mary Black’s long time collaborator and favorite songwriter, weighs heavily on the song selection here. The album is populated with songs of sadness, resignation and rebirth.
How rare and collectible is this record? A mint original sold for $678.00 back in 2004. I doubt it sounds as good as this double 45rpm reissue but I can’t be sure since I don’t have one.
Modern Jazz Quartet fans will find this Milt Jackson solo outing surprising and in a sense liberating. While the vibraharpist remains his usual cool, resilient self, the addition of Kenny Dorham on trumpet and Jimmy Heath (brother of MJQ bassist Percy) on tenor sax gives the outing a bit more swagger and drive compared to the MJQ’s usual studiousness.
I’ll throw my two cents into the “greatest rock vocalists” ring: Steve Marriott. He’s the one for me. His work with the original Small Faces stands above all else, but later Marriott joined Peter Frampton and the two formed Humble Pie with bassist Greg Ridley and drummer Jerry Shirley.
Drop John Lee Hooker off in the parched environs of Paris, Texas and tell him to do his mournful thing and that it’ll be okay because Miles Davis will be right behind him with his mute trumpet following his every musical move the way Ali Akbar Khan followed Ravi Shankar's.
Former Image Hi-Fi magazine editor Dirk Sommer and his wife Birgit Hammer-Sommer recorded and produced this solo double bass performance by Dieter Ilg using a purist analog chain direct to ¼” analog audio tape. Compression was neither contemplated nor used, nor was there any filtering or equalization of any kind.
This slab of red vinyl got plopped on the turntable and listened to before the unnoticed press blurb stuffed into the gatefold jacket made returning it from where it came impossible.
Note: since this review was originally posted February of 2009, we have learned of the existence of a flat transfer made from the now missing master tape. The version reviewed here was almost certainly mastered from a digital transfer done using some analog "work parts" and some digital sources not clearly identified in Capitol's original CD reissue series.