Cartridge Reviews

The extensive Hana moving coil cartridge lineup manufactured in Japan by the half-century old Excel Sound Corporation (“controversial” factory tour embedded below) is a high value, performance, and quality, logically progressing array that until the release of the $3950 Umami Red was priced from a $475 low to a $1200 high. Remarkably moderate prices in today’s cartridge market.

When readers ask why “they” no longer manufacture a really high quality moving magnet cartridge, I respond “Ortofon 2M Black” ($695). Its nude Shibata stylus delivers great detail, it’s an effective tracker at 1.5 grams and it outputs a generous 5mVs. Plus, based on years of experience reviewing the company’s output up and down the product line, it’s safe to say Ortofon delivers build quality uniformity at every price point. Oh, and the 2M Black is a sweet sounding, spectrally well-balanced cartridge.

Here's the reveal of the files used in this cartridge comparison:

The first item up for bids today on “The Price is Right” is Gold Note’s Donatello Gold moving coil cartridge! Vacuous bimbette hostess, tell us all about it!

Though my initial February review of Ortofon’s $999 MC Quintet Black S cartridge was quite favorable, one part of my system wasn’t best optimized for the cartridge: the Rega RB330 tonearm’s lack of adjustability meant that my VTA was off by two degrees (90 degrees instead of the preferred 92-93). To combat this issue, AnalogPlanet editor Michael Fremer and I installed Acoustic Signature shims underneath the back of the Rega tonearm. However, with sufficient shims installed to increase the VTA to 92 degrees, unless the tonearm was raised from the record surface, the dust cover wouldn’t close. Since in my house a dust cover is absolutely necessary, I sacrificed having ideal VTA and we only ended up installing a set of 1mm shims to increase the VTA by half a degree.

The picture purposely obscures this moving magnet cartridge installed in the Rega Planar 8 tonearm plugged into the Graham Slee Accession. That's because I don't want you to know its identity. Rather, please listen to the file and tell everyone how much you'd be willing to pay for it and how you think it sounds.