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Saxophonist Jerome Sabbagh's 2014 Kickstarter funded release The Turn was a musical and sonic success. It got great reviews here, in the Boston Globe, Stereophile and the L.A. Times. Now Sabbagh is back with another Kickstarter funded project but this time instead of recording analog and cutting from digital because of the extra expenses involved, he's going for an all-analog production.

Beginning in the late ‘70s, continuing throughout the 1980s and once in 1994 Wilson Audio Specialties founder Dave Wilson released a series of records that he co-produced with wife Sheryl Lee, many of which he also engineered. They were minimally miked—often a spaced pair of Schoeps was all—and mastered by an all-star lineup of disc cutters including Bruce Leek (who also shared engineering credit on some), Stan Ricker and Doug Sax (Google if any of the names are unfamiliar). The tape machine for all but the very early organ record Recital (Wilson W-278) was an Ultramaster™ by John Curl, a highly modified Studer 1/2" deck running at 30 IPS.

50 years to the day of its original release in both mono and stereo, Analogue Productions announces tomorrow the UHQR reissues of Jimi Hendrix's epic Axis: Bold As Love, newly remastered from the original analog master tapes by Bernie Grundman. Click that hyperlink and watch Bernie at work cutting!

My Bloody Valentine albums Isn't Anything and Loveless, originally released in 1988 and 1991 on Creation Records, are being reissued all-analog under the supervision of founding member/producer Kevin Shields through his own label.

A group of determined fans of both the Blue Note jazz catalog and the Music Matters reissues, which are always done from tape and done correctly recently started a drive to convince the label to issue more of Blue Notes after the label apparently decided it had released a sufficient number.