Readers skeptical of the Kirmuss Vinyl Restoration process should examine the above photo. Lately Mr. Kirmuss has been using it to restore Edison cylinders. The results are easier to see here than on a vinyl record.
Sun Bear Concerts, documents five complete solo performances by Keith Jarrett in Japan. First released in 1978, it is considered a milestone achievement in the history of jazz recording. "Rich in incident and detail, the music is beautifully produced, illustrated, and presented in this ten-LP set".
SOTA turntable co-founder David Fletcher recently passed away at age 81. The experimental physicist left the U.C. Berkeley Particle Lab to be his own boss. In 1972 he co-founded Sumiko. Both companies remain in business though Fletcher long ago sold his shares.
“Steven Wilson has a new solo album, "The Future Bites." We discuss this as well as his work with Porcupine Tree but even if you're not a fan of his music, even if you've never heard of him, you need to listen to hear Wilson's stories of remixing King Crimson, Jethro Tull, Chic….”
The press release announcing this record out March 26th on Luaka Bop is more coy and less informative, though that will probably change closer to the release date. However, I have a test pressing sent by a friend. Chris Bellman cut lacquers, RTI pressed, I don't care the source
Impulse! Records, founded in 1960 by Creed Taylor and home to some of the greatest jazz artists of all time including John Coltrane, Charles Mingus, Archie Shepp, Alice Coltrane, Pharoah Sanders and Quincy Jones, among many others, this year celebrates its 60th anniversary.
This essential, musically groundbreaking and sonically spectacular Gil Evans album recorded by RVG in 1960 and released February of 1961 will soon be issued as part of the Verve/Acoustic Sounds series, cut AAA using the original master tape.
Before getting to the image above, let's reiterate some cartridge set-up facts: despite the instructions that accompany most turntables and tone arms, you can't reliably set stylus rake angle to 92 degrees by putting your tone arm parallel to the record surface. Insuring that the cantilever is perpendicular to the record surface does not mean you've correctly set azimuth. Why do the manufacturers tell you to do those things? To make set up simple, instead of telling you what you need to do to accurately set these critical parameters.
Pro-Ject just announced a pair of low cost MM/MC phono preamps and a pair of sophisticated "record cleaning arms" and in the press release re-launched the $1999 Phono Box RS2.
Blue Note Records announces the 2021 Tone Poet Audiophile Reissue Series release schedule. Produced by Joe Harley, these are all-analog (where original recording was to analog tape), 180g audiophile vinyl reissues mastered by Kevin Gray at Cohearent Audio from the original master tapes. RTI presses in Camarillo, California (where no one these days is relaxing) and packaged in deluxe Stoughton Printing “old style” Gatefold Tip-On jackets.