Michael Fremer

Miles Davis's second collaboration with arranger/orchestrator Gil Evans (and the first recorded in stereo) is arguably the duo's best effort—a majestic, moody re-working of George Gershwin's classic folk opera recorded in three summer of 1958 sessions at Columbia's 30th street studios.

An AnalogPlanet reader today wrote:

I recently decided enough was enough. Vinyl prices in Australia have skyrocketed to the point where any new digitally-sourced release will cost you at least $40. If you want a nice 2xLP release, that'll be $50+. And don't even think about a new AAA Audiophile release. That privilege will set you back a whopping $100.

For. One. Album.

This agreeable set of standards sung by Louis Armstrong backed by the Oscar Peterson Quartet, then consisting of Herb Ellis, Ray Brown and Louis Bellson recorded at the then new Capitol Studios, L.A. in 1957 but not released in stereo until 1959, was a follow-up of sorts to the highly successful Norman Granz-produced Ella & Louis (Verve MGV-4003) recorded August of 1956.

Like this set, there Armstrong and Fitzgerald were backed by the Oscar Peterson Quartet, but with Buddy Rich drumming instead of Louis Bellson.

Capitol/UMe releases on October 9th, 2020 a multi-format 36 track John Lennon box executive co-produced by Yoko Ono Lennon and Sean Ono Lennon featuring "remixed from scratch" versions, in a process that the press release describes thusly: "...using brand new transfers of the original multi-tracks, cleaned up to the highest possible sonic quality. After weeks of painstaking preparation, the final mixes and effects were completed using only vintage analog equipment and effects at Henson Recording Studios in Los Angeles, and then mastered in analog at Abbey Road Studios by Alex Wharton in order to ensure the most beautiful and authentic sound quality possible."