Michael Fremer

Michael Fremer  |  Jun 06, 2018  |  8 comments
Sounding more like the recording engineer accidentally fed only the reverb buss to the 2 channel master instead of the intended mix of "dry and wet", the Cocteau Twins' ethereal, reverb drenched Head Over Heels released in 1983 became a much imitated template for "wave", "shoe gazing" and other musical genres that followed in its wake.

Michael Fremer  |  Jun 05, 2018  |  First Published: Jun 05, 2018  |  2 comments
Spinroad Vinyl Factory just opened within Spinneriet (The Cotton Mill), an old textile factory located in the outskirts of Gothenburg, Sweden. It's currently Sweden's only pressing plant. Currently the facility has two presses. Of course they are the new Pheenix Alpha presses made in Solna, Sweden. For now lacquer cutting and plating is done in The Netherlands (probably at Record Industry) but the company hopes to eventually add that to the in-house mix.

Michael Fremer  |  Jun 05, 2018  |  3 comments
Buddy Holly's last album before "the day the music died" released in 1958 belongs in every rock-based record collection. It's not even a close call. And this reissue sourced from the original analog tapes still in superb condition and cut by Kevin Gray is by far the best sounding edition ever.

Michael Fremer  |  Jun 05, 2018  |  1 comments
In his 2017 liner notes for this new release, finger style guitarist/musicologist Duck Baker writes "It may seem obvious that folkies would not want to hear some kid trying to sound like Eric Dolphy with a nylon-strung guitar, but back in the 1960s and early '70s this was not quite so clear-cut. Sandy Bull had recorded with Ornette's drummer Billy Higgins, after all, and people did talk about blending genres quite a bit (they still do talk about it, anyway).

Michael Fremer  |  Jun 05, 2018  |  2 comments
It takes nerves of steel and a healthy serving of humility to agree to record direct-to-disc a solo piano recital but that's what Katie Mahan signed on for here. The results are both musically and sonically rewarding. Mahan gave her first piano recital at age 6, having decided at age 4 that she wanted to be a concert pianist after attending a performance of Gershwin's "American in Paris". From her online bio:

Michael Fremer  |  Jun 02, 2018  |  First Published: Jul 01, 2002  |  3 comments
Sign of the times: My local Compact Disc World store in Paramus, New Jersey, now has a vinyl section—a good one. The LPs are selling well enough that some folks I know shop there often so they don't miss out. Even Burger King is in on the action. If the artwork on its new soft-drink cup is any indication, the fast-food franchise has transferred its familiar "Have it your way" slogan from hamburgers to music carriers...
Michael Fremer  |  Jun 01, 2018  |  First Published: Jun 01, 2018  |  1 comments
FIRENZE, Italy: Italian High-End manufacturer Gold Note – just introduced the PSU-10 external power supply developed to enhance the performance of the PH-10 phono stage.

Michael Fremer  |  Jun 01, 2018  |  First Published: Jun 01, 2018  |  6 comments
Marshall Blonstein, owner/founder of both the DCC Compact Classics and Audio Fidelity labels and a record industry veteran revealed in a recent email that he was retiring and closing down the Audio Fidelity label (the photo L-R is of Blonstein, AnalogPlanet editor Michael Fremer and legendary mastering engineer Kevin Gray taken during the TRON double LP mastering sessions).

Michael Fremer  |  Jun 01, 2018  |  First Published: Jun 01, 2018  |  124 comments
* Mr. Kirmuss insists that the vinyl residue seen in his cavitation tank in this video is not damage caused by his device. Rather, he insists, it is vinyl residue "locked" into the grooves by soapy residue from other machines that his process has removed.)

We first encountered at AXPONA 2018 Mr. Charles Kirmuss and his "In The Groove" Ultrasonic Vinyl Record Restoration System. The system is based upon an ultrasonic bath-type cleaning machine from China, another of which that looked identical was being sold but a few feet away.

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