Album Reviews

If there’s to be a second blues revival after the first one in the early ‘60s that led to the “rediscovery” of neglected artists like Son House and even Robert Johnson, the first great analog revival occurring right now will lead the way.

This is not Sam Beam's (A/K/A Iron and Wine) latest album. It dates from 2007. His first release, The Creek Drank the Cradle, was released back in 2002. Somehow that one, this one, his newest and all of his work escaped my attention until last year's AXPONA audio show in Jacksonville Florida where I saw the collected works in the bins of a Florida audio store owner who had a room at the show. I asked to hear something and he played a cut from this introspective, atmospheric and sonically enticing and well-produced album. I was hooked.

The Rolling Stones have just released their first studio album of all-new material in 18 years, Hackney Diamonds. Naturally, it begs the question: Will Hackney Diamonds ultimately become a classic Stones album? We don’t know that answer for sure just yet, but read Mark Smotroff’s review to find out if the 180g 1LP vinyl edition of Hackney Diamonds and/or its litany of variants are worthy of many a repeat spin. . .

It’s been heavily bootlegged over the years, and yet Paul McCartney & Wings’ One Hand Clapping is still something of a holy grail among fans. These 1974 live-in-the-studio recordings find the group firing on all cylinders — and then some. Finally, this vital Macca music has been officially released today, June 14, 2024, by MPL/Capitol/UMe as both a 180g 2LP set and a web-exclusive edition that also includes a bonus six-track 45. Read on to see why Mark Smotroff feels One Hand Clapping offers some of the most rocking Macca & Wings music on vinyl to date. . .

Fleet Foxes’ new live and mostly acoustic A Very Lonely Solstice LP leans more toward the full-album concert experience I was hoping for on record. There is a nice sense of the church ambiance — this performance was recorded live at St. Ann & The Holy Trinity Church in Brooklyn, New York in December 2020 — that wonderfully captures the woody essence of Fleet Foxes bandleader Robin Pecknold’s strummy nylon-string guitar. Read on to learn more. . .

The double LP set is but one of many DirectGrace D2D records produced by Sound-Smith's founder Peter Ledermann to benefit a charity dedicated to helping some 215 million exploited children around the world enduring child labor, or abandoned to the streets due to the AIDS epidemic and other public health catastrophes.