Album Reviews

While hard-bop tenor saxophonist Booker Ervin’s best known work was with Charles Mingus and his later Prestige albums are regarded as the hub of his solo recordings, this 1961 Candid set offers plenty of muscular grit, superb Nola Penthouse sound and the stellar backing trio of George Tucker on bass, Al Harewood on drums and one “Felix Krull” on piano, most likely a Nat Hentoff-assigned name given to Horace Parlan who was contracted to Blue Note at the time. In fact, Tucker and Harewood were part of Parlan’s quartet, as was Ervin for a spell.

If you want to know what the early 1960’s felt like, listen to this lushly and dramatically orchestrated Sinatra, bathed in opulent, moonlit reverb and surrounded by cushiony strings spread out on an impossibly huge, wide and deep soundstage.

There are numerous reasons why music fans should be interested in a previously unreleased 5LP box set featuring an entire performance of Frank Zappa and his original Mothers of Invention band in full flight in the heart of the Los Angeles freak scene of the late-1960s. Titled Whisky A Go Go, 1968, this lovingly curated collection — which was released by Zappa/UMe on June 21, 2024 — is a time-capsule snapshot moment in time when Zappa’s original band was reaching an arguable performing peak. Read Mark Smotroff’s review to see just how good Whisky A Go Go, 1968 sounds, and why its Optimal pressing on BioVinyl was clearly a wise decision by the Zappa braintrust. . .

Two fascinating and enlightening new, concurrent Frank Zappa live albums come from the spring of 1980, an underexplored period of his career when he toured with a somewhat stripped-down reinvention of his touring group. The 2LP Zappa ’80 Mudd Club set was recorded near the start of the tour on Zappa’s beloved Nagra reel-to-reel analog portable in the storied, tiny New York club, while the 3LP Zappa ’80 Munich release is Frank’s very first all-digital live recording of the same band at the end of the tour, as captured in a huge German arena. Read on to see how Mark Smotroff feels both recordings stack up in the ever-expanding Zappa-on-vinyl catalog. . .

A straight-ahead, often fast-paced blowing session led by Plas Johnson, a versatile alto and tenor saxophonist who’s been heard by tens of millions, but known by very few. The theme from the “Pink Panther” includes Johnson’s most famous sax lines, but he’s played sessions for Frank, Peggy, Nat, Ella, Sarah, Ray, you first-name them.

Elvis in the army meant no new albums or singles from the King so RCA producers raided the vaults to put together this album and A Date With Elvis (LPM-2011).