Album Reviews

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Michael Fremer  |  Mar 29, 2012  |  1 comments

  Randy Wells' recent review of this Sundazed reissue may have seemed thorough and matter-of-fact to most of you and judging by the emails, well appreciated, but the folks at Sundazed were anything but pleased, which kind of surprised me, though Wells did prefer the Audio Fidelity release so perhaps I should not have been surprised.

Mark Schlack  |  Sep 01, 2010  |  1 comments

It was 1965 and Junior Wells was no longer the precocious teenager who had gotten the likes of Muddy Waters, Elmore James and Otis Spann to back him up on his 1953 and 1954 hit singles. Now 30, he was a fixture of that generation of electric Chicago bluesmen. He toured, and worked regularly at Theresa’s on the South Side. And he was about to make an album that has long been a staple of any modern blues collection.

Michael Fremer  |  Mar 16, 2003  |  0 comments

This Otis Rush love fest, produced by Mike Bloomfield and Nick Gravenites at Fame in Muscle Shoals, Alabama, was payback for the generosity and help Rush provided the youngsters back in Chicago during their "formative" years. Led by The Paul Butterfield Blues Band, the white suburban audience that formed the core of the "counter-culture" had discovered the blues. Butterfield had backed Dylan at Newport in 1965, causing a big stir, and soon thereafter Mike Bloomfield and drummer Sam Lay were in the studio with Dylan to record Highway 61 Revisited.

Michael Fremer  |  Sep 01, 2004  |  1 comments

Dylan's Halloween '64 performance before an adoring Philharmonic Hall (currently Avery Fisher Hall) audience waited forty years for release but remarkably, here it is in the digital age, still available in the LP format, sumptuously packaged, mastered and pressed for Sony by Classic Records.

Michael Fremer  |  Nov 02, 2018  |  14 comments
1974's Blood on the Tracks (Columbia PC 33235) was for many at the time a "Bob Dylan's back" album. He was back on Columbia Records after leaving for David Geffen's Asylum for a pair of not particularly well-received at the time albums backed by The Band. But more importantly Dylan was back in the more familiar role as folk-poet and story teller—though spinning more deeply felt tales from various points of view that many observers wrongly thought were personal chronicles.

Michael Fremer  |  Jun 27, 2013  |  31 comments
Dylan claims Blood on the Tracks' pained, heartbreaking and often very angry and vicious songs weren't personal confessionals, though he was in the midst of a painful divorce. His son Jakob says they were. Does it really matter if they were about or inspired by his life? He delivers them as if they were very personal as does any great actor, but they are just as satisfying or disturbing thought of as having been inspired by his personal circumstances at the time.

Mike Mettler  |  Sep 26, 2024  |  1 comments

What becomes a cult-favorite legend most? When it comes to onetime Bob Dylan tour manager, noted folk artist, songwriter, painter, and producer Bob Neuwirth, it seems quite befitting that a long-awaited reissue of the artist’s self-titled 1974 debut album is set to receive new life on vinyl with a 50th anniversary 1LP reissue on Sunset Blvd. Records on September 27, 2024. Read on to see why you might want to get your hands on Bob Neuwirth sooner than later. . .

Mark Smotroff  |  Mar 03, 2023  |  7 comments

Jazz pianist Brad Mehldau launched onto the jazz scene in the 1990s, and he quickly made his mark as one of the more important modern-day jazz pianists of our times. Mehldau’s latest effort, Your Mother Should Know: Brad Mehldau Plays The Beatles, is a live tribute album that celebrates the very scope of The Fab Four’s music itself — and, ultimately, its impact on popular music as we know it today. Read Mark Smotroff’s review to see if Mehldau’s new LP is worthy of spinning on your own fab turntable. . .

Michael Fremer  |  Nov 01, 2010  |  1 comments

Clearly, releasing this as a double 180g vinyl set  was an act of musical idealism and not because someone at Mobile Fidelity thought vinyl fans and audiophiles were clamoring for it.

Evan Toth  |  Jul 30, 2020  |  5 comments
This year, Brian Wilson and Van Dyke Parks’ 1994 project, Orange Crate Art, turns 25 years old. To celebrate, Omnivore Records has reissued and remastered the album and brought attention and care to a somewhat disremembered historical artifact created by two musical luminaries. Of note, Omnivore’s campaign is the first time this album has been released on vinyl.

Michael Fremer  |  Jan 01, 2004  |  0 comments

While everyone’s talking about teenagers today downloading music and making custom compilations, sometimes it takes a pro or two to do it correctly, as this fabulous 20 song collection demonstrates. Originally compiled back in 1963 by Goffin and Titelman as a twelve song LP highlighting, depending upon how you look and listen to it, Dimension Records, The Brill Building hit factory, Jews ‘n’ Roll, or the genius of Goffin-King, it has been expanded by Sundazed’s Bob Irwin to include 5 additional Goffin-King classics (or semi-classics) and two other musty but vital curiosities. There's also an attempt at starting a dance craze called "Makin' With the Magilla." It's not about dancing with a gorilla, either. Check a Yiddish dictionary.

Michael Fremer  |  Aug 03, 2012  |  9 comments
Why listen to "purist" British blues bands recreating what they've heard on record or in clubs, when you can hear the real thing? That's how I've always felt about it. This album by the British blues band Ten Years After is something else and perhaps in retrospect it's unfair to tag TYA as a "purist blues band."

Michael Fremer  |  Jul 01, 2011  |  0 comments

As the liner notes for ISB's self titled debut (Elektra EKS-7322) tell it, in the mid '60s Robin Williamson was singing traditional Scottish ballads, MIke Heron was in an r&b group and Clive Palmer was playing ragtime banjo.

Michael Fremer  |  Dec 01, 2007  |  0 comments

Ed. note: Bishop Allen's new album is set to release March, 2009. This review of the group's debut album ran here December, 2007. It gets better with each play and is highly recommended.

Michael Fremer  |  Jan 01, 2009  |  4 comments

Dennis Wilson didn�t sing very well in the conventional sense of the word: his pitch was frequently off, he warbled, his vocal timbre was raspy and calling his range �limited� would be an overstatement.

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