Album Reviews

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Michael Fremer  |  Jul 28, 2018
At 80 Charles Lloyd can musically pretty much do whatever the hell he wants, though he did likewise at age 30 in 1966 when he fronted a group featuring 21 year old Keith Jarrett, 24 year old Jack DeJohnette and at 31 the group’s “elder statesman” Cecil McBee, and produced the classic Forest Flower (Atlantic SD 1473), recorded live at the Monterey Jazz Festival.

Michael Fremer  |  Jun 01, 2008

From the NAIM archives comes this triple LP/double CD set, originally issued as two, long out of print, individual CDs, featuring Charlie Haden’s Quartet West, featuring Saxophonist Ernie Watts, pianist Alan Broadbent and the late, great drummer Billy Higgins on one session and the great, not late Paul Motian on the other.

Paul Seydor  |  Apr 08, 2022
Chasing The Dragon, a British audiophile label that has been around for about ten years now, has distinguished itself with digital and analog releases that can fairly be said to have pushed the state of the art in recorded sound. As is not the case with many audiophile labels, the founders Mike and Françoise Valentine have paid equal attention to the musical contents of their label, notably with classical music and jazz, for which oftener than not they eschew studios in favor of venues where acoustic music is typically performed, such as concert halls or other places with appropriately sympathetic acoustics (e.g., churches). One of the best concert recordings I own is CTD’s 45-RPM album with the Interpreti Veneziani Chamber Orchestra in marvelously stylish, spirted performances of pieces by Vivaldi, Marais, and Sarasate, so beautifully captured—London’s St. John’s Smith Square the venue—that if you set the level right and close your eyes, you easily imagine yourself transported to the best seat in the house (VAL45001). Even their studio recordings are so carefully miked they don’t sound studio bound: the singer Clare Teal’s A Tribute to Ella Fitzgerald, with Chris Dean leading The Syd Lawrence Orchestra, is sonically of reference caliber and musically so stylistically on point as an example of Swing that but for the sonics you’d swear it was made in the 1940s. These are but two albums from a pretty impressive catalog. For a small label to concentrate its repertoire on classical and vintage jazz is not without risk in this day and age, and it is testament to the Valentines’ expertise, taste, commitment, and courage that they have maintained such high sonic and musical standards.

Mark Smotroff  |  Apr 21, 2023

The Jazz Detective label has done truly great work in preparing Chet Baker’s new 180g 2LP set, Blue Room: The 1979 VARA Studio Sessions in Holland, for its Record Store Day 2023 release on April 22. Read on to see why Mark Smotroff feels should be near the top of your own RSD 2023 acquisition wishlist. . .

Michael Fremer  |  Nov 08, 2012
When we think of "field recordings" we often think of Alan Lomax trudging through the South with a tape recorder, setting up shop wherever he found the music.
Mark Smotroff  |  Sep 23, 2022

The latest album in Claude Nobs’ amazing series of official private-collection releases features none other than the late, great keyboard master, Chick Corea. Culled from the archives of The Montreux Jazz Festival, Chick Corea: The Montreux Years 2LP 180g set via BMG sounds remarkably fine and consistent across the years that span the multiple eras of these recordings. Read on to learn more about how the MQA-mastered Montreaux Years makes the grade on wax. . .

Michael Fremer  |  Dec 10, 2021
This Village Vanguard Inside Straight set was recorded December 2014 a week before bassist McBride recorded with his trio another Village Vanguard engagement that became his Mack Avenue debut album.

Michael Leser Johnson  |  Sep 24, 2021
Those browsing the classical vinyl reissues on various audiophile websites may have encountered a few peculiar releases from a Korean label known as Analogphonic. The small label has been pumping out limited reissues of vintage classical recordings since 2012. The records are mastered by various engineers in Europe or North America but are always AAA and pressed at Pallas records in Germany.

Michael Fremer  |  Oct 01, 2007

Composed in 1937, Shostakovich’s dramatic 5th symphony is cinematic in scope and thematically rich and varied. Though 20th century modern in its angular musical approach, it retains elements of Tchaikovsky’s romantic 19th century, though many of the musical gestures more closely resemble those of Shostakovich's contemporary, Sergei Prokofiev. In fact if you’re familiar with Prokofiev’s “Lt. Kije Suite” you will hear some similarities along with some touches of Rimsky-Korsakov.

Michael Fremer  |  May 01, 2005

I've seen literally hundreds of copies of this 1959 Weavers release, but until this reissue, I've never seen a stereo copy. Didn't even know it existed in a black label “Stereolab” edition.

Michael Fremer  |  May 01, 2007

Despite once having endorsed Bose, Herbie Hancock is clearly a good listener. For his first Blue Note solo outing back in 1962 when he was just 22, he led with “Watermelon Man,” an irresistible “crossover” tune that could attract a crowd beyond Blue Note’s usual buyers. While Hancock says it’s based on a childhood recollection of street vendors, the song’s groove was very much in tune with “the street” circa 1962. Hancock’s playing is funky but not flamboyant.

Michael Fremer  |  Oct 01, 2007

Let’s get right to the point of this reissue, which is the sound, since anyone shelling out big bucks for it is doing so because he or she is familiar with the music and loves it to death.

Michael Fremer  |  Apr 01, 2008

Never mind the much-vilified Marine and ex-Obama pastor Reverend Wright, if you want to hear the unvarnished, angry, hurtful truth of an era not so long past, listen to this stark, musical reminder of race relations in early ‘60s America.

Michael Fremer  |  May 21, 2016
At this point in his life and career, Eric Clapton has nothing to prove to anyone but himself. He’s gone from being called God on now famous graffiti that embarrassed him but others found justified, to later being called a snooze during a stretch of less than inspiring records and perhaps overexposure.

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