Paul Seydor

Chasing The Dragon, a British audiophile label that has been around for about ten years now, has distinguished itself with digital and analog releases that can fairly be said to have pushed the state of the art in recorded sound. As is not the case with many audiophile labels, the founders Mike and Françoise Valentine have paid equal attention to the musical contents of their label, notably with classical music and jazz, for which oftener than not they eschew studios in favor of venues where acoustic music is typically performed, such as concert halls or other places with appropriately sympathetic acoustics (e.g., churches). One of the best concert recordings I own is CTD’s 45-RPM album with the Interpreti Veneziani Chamber Orchestra in marvelously stylish, spirted performances of pieces by Vivaldi, Marais, and Sarasate, so beautifully captured—London’s St. John’s Smith Square the venue—that if you set the level right and close your eyes, you easily imagine yourself transported to the best seat in the house (VAL45001). Even their studio recordings are so carefully miked they don’t sound studio bound: the singer Clare Teal’s A Tribute to Ella Fitzgerald, with Chris Dean leading The Syd Lawrence Orchestra, is sonically of reference caliber and musically so stylistically on point as an example of Swing that but for the sonics you’d swear it was made in the 1940s. These are but two albums from a pretty impressive catalog. For a small label to concentrate its repertoire on classical and vintage jazz is not without risk in this day and age, and it is testament to the Valentines’ expertise, taste, commitment, and courage that they have maintained such high sonic and musical standards.