Album Reviews

The only original copy of this album that I ever saw was in The Library of Congress's record collection. It features great period cover art that Green Day lifted for their Foxboro Hot Tub album and a live performance from guitar legend Dick Dale. 

To those of us at a certain age and religious persuasion, there's something bizarre about Iggy and the Stooges playing  Kutsher's Country Club, once one of the Borscht Belt's premiere venues. Of course Kutsher's and the Borscht Belt aren't what they used to be but Iggy and the Stooges still are!

You'll never confuse Shostakovich's Piano Concerto No. 2 composed in 1957 with piano concertos composed during the romantic era, except when you get to the squooshy center where the composer goes all Rachmaninoff on you. The cinematic first movement sounds both ominous and light-hearted like a Hitchcock chase scene and it's easy to hear how Bernard Herrmann may have been influenced by this rousing first movement. It will get your heart pounding. 

Around 1963 Miles’ rhythm section of Wynton Kelly on piano, Jimmy Cobb on drums and Paul Chambers on bass left Davis to form their own group.

Whether the release of this album or Dylan's "plugging in" at Newport in 1965 enraged fans more is debatable, but whichever way you see it, everyone agrees that this record was reviled when first released back in the Spring of 1969.

As the 1980s gave way to the 1990s, legendary British Invasion songwriter, singer, guitarist, and all-around rock icon Pete Townshend of The Who was working hard, reinventing himself as something of a senior statesman clearly not ready to follow the directive of his iconic band’s October 1965 breakout hit single, “My Generation.” To that end, two of his more adventurous solo releases have just been reissued as new half-speed mastered 180g vinyl editions: June 1989’s The Iron Man: The Musical by Pete Townshend and June 1993’s Psychoderelict: Music Only — the latter making its first appearance on vinyl ever, and as a 2LP set to boot. Read Mark Smotroff’s combo review to see if either/both of these underappreciated latter-era Townshend solo LPs belong in your collection. . .