Album Reviews

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Nathan Zeller  |  Sep 14, 2021
Picture a circus brimming with color, excitement, and unrestrained wackiness. Weld that mental image to your favorite funk performance, whether it’s a distant memory or one of the Internet’s many treasures. The result should be invigorating, intoxicating, and most importantly, a spot-on Vulfpeck depiction.

Mark Smotroff  |  Feb 02, 2024

When Steely Dan’s Gaucho came out in November 1980 on MCA, it was at a time when that label was notoriously cutting corners, and quality control suffered. Fast-forward four-plus decades to the here and now, wherein we have a new 180 1LP edition of Gaucho to consider, one that’s been remastered by Bernie Grundman from a 1980 analog tape copy originally EQ’d by Bob Ludwig. Read Mark Smotroff’s review to see if this new vinyl edition of Gaucho is worth putting on your turntable. . .

Malachi Lui  |  Mar 01, 2022
In November 2021, Radiohead combined their “twin albums” Kid A (October 2000) and Amnesiac (May 2001) with a previously unreleased outtakes collection, Kid Amnesiae, for the highly anticipated three-disc Kid A Mnesia. Several formats are available: US and EU standard weight 3LP pressings on black (standard) and red (limited) vinyl, a similar 3CD set, a Japanese 3CD featuring Amnesiac B-sides excluded from most other Kid A Mnesia releases, a Kid Amnesiette limited edition double cassette (also featuring those Amnesiac B-sides), and the sold-out “Scarry Book.” The latter, a super deluxe 3LP package, lacks the Amnesiac B-sides but features a 36-page large-format art book and the 3 LPs on 180g cream-colored vinyl.

Malachi Lui  |  Nov 27, 2019
Before I get further into this follow-up review, a short disclaimer: other than the US Apple/Capitol singles of “We Can Work It Out”/“Day Tripper” and “Hey Jude”/“Revolution” (which, as expected, sound lousy), I don’t have any Beatles 7” singles other than this new The Singles Collection box. All my Beatles listening is on LP (the 2014 mono series, the Giles Martin remix LPs, and a few mono and stereo UK and European pressings) and the occasional lossless digital format, therefore from these recordings I’m used to great sound quality. My expectations for The Singles Collection (generously gifted to me by AnalogPlanet editor Michael Fremer) were likely different from most others’: sure, I expected the all-analog lacquer cuts to sound good, but sound quality on 7” singles isn’t the first thing I think about. With the 7” format, it’s primarily about the musical content, collectibility, packaging (when applicable), and finally, sound quality.

Michael Fremer  |  Jul 30, 2015
Perhaps it's because "Dino" cultivated a less than serious image as a friendly drunk or perhaps it's because of his long running role as Jerry Lewis's "straight man" in the most successful duo in comedy history, or maybe it was his long running "Dean Martin Celebrity Roast" television show.

Mark Smotroff  |  Mar 15, 2024

In the circles of soul music fans, Isaac Hayes’ seminal June 1969 LP Hot Buttered Soul is well-known as a landmark recording, an album that helped break down conventions of what a hit soul recording could be. This four-song album originally went gold on the Enterprise label, but Craft Recordings just may have taken Hot Buttered Soul to new aural heights with their recently released AAA Small Batch 180g 1LP edition. Read Mark Smotroff’s review to see if the Small Batch version of this seminal soul LP belongs in your collection, STAT. . .

Michael Fremer  |  Sep 01, 2003

The Beatles made four unforgettable live appearances on The Ed Sullivan Show, February 9, 16, 23rd 1964, and one more, over a year and a half later on September 12, 1965. While the fourth was almost anti-climactic, the first three rightly retain a mythological status, with an amazing 73 million Americans tuning in for The Beatles’s first appearance. In those pre-VCR, pre-400 cable channels days, The Beatles literally appeared out of nowhere, drove the teenagers in the audience crazy, and then disappeared, leaving the kids gasping for air and wondering whether they’d actually seen their idols, or hallucinated them. There would be no taped playback at home, or excerpts on “Entertainment Weekly.” The Beatles didn’t make “the rounds” and visit other shows, because there really weren’t any. Some still shots in Life or in some teenybopper magazine were the best that could be hoped for.

Michael Fremer  |  Aug 01, 2009

The mid-sixties may not have been Monk’s most creative period but it was arguably his strongest and most focused both in the studio and onstage. If any jazz musician was poised to withstand the rock era it was Monk the performer and Monk the composer.

Michael Fremer  |  Jul 01, 2011

The late New York Times rock critic Robert Palmer once wrote a Billy Joel review that was so scathing, so mean, so nasty and couched in personal terms, that even I, a fellow Billy Joel detractor (perhaps even a "hater" back then), cringed with embarrassment.

Michael Fremer  |  Aug 23, 2019
Memphis based "garage rocker" Jack (Yarber) Oblivian, formerly with Johnny Vomit & the Dry Heaves among other groups, recently released this adrenalin charge on Black&Wyatt Records and someone (I don't know who) sent it my way thinking I might like it even though the sound is, let's say "primitive" (no top, not much bottom, just some stuff in the middle) in a good way (some recorded to 4 track M.C.I.) but all of it purposefully squashed in a way that sort of reminded me of Don Van Vliet ("Sweet Thang"), but maybe that's because in some ways the performances did too, though it's far more punk-rocky and less bluesy.

Michael Fremer  |  Sep 13, 2015
When I interviewed singer/songwriter Jack Tempchin recently I joked about why older songwriters often lose their creativity.

Malachi Lui  |  Aug 02, 2018
“Rock is dead. No modern rock artist can have a number one album. Anybody who makes something this weird can't make the Billboard 200 at all, right?”

But to the words of cynics, Jack White says “I don't care” and spreads his statement across a 44 minute album that blends roof-shattering rock, blues, electronic, hip hop, country, spoken interludes, and even jazz. “The one who is prepared is never surprised”, I guess.

Michael Fremer  |  Jun 01, 2008

Joe Jackson is like one of those balloon magicians, only instead of producing elaborate figures from a simple form, he does it with notes.

Nathan Zeller  |  Dec 26, 2020
It’s certainly no secret that Jacob Collier is an outrageously talented musician; after all, when family pastimes involve singing Bach chorales… what else was to be expected?

From his days as a Youtube sensation until now, Collier has been labelled as many things, most of which are positive. That statement of course leaves room for the negative. Despite making leaps and bounds as a producer and performer (check out the logic session breakdown for “All I Need”), there remains a fair few who long to see him fulfill his potential as a writer. After hearing Collier’s latest release, Djesse Vol. 3, I must say I share those same feelings.

Nathan Zeller  |  Feb 16, 2021
(Ed note: This is the first voice memo review on AnalogPlanet) Jacob Collier rightfully displays a childlike fascination with music. It would be a mistake, though, to confuse his youthful exuberance with mediocrity. The 26 year old, who released his first album five years ago, gets praise from music business legends. Herbie Hancock is in awe of Collier’s performance and production abilities. Quincy Jones, recognizing the multi-instrumentalist’s potential, signed Collier to his personal management division.

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