Album Reviews

The mid-sixties may not have been Monk’s most creative period but it was arguably his strongest and most focused both in the studio and onstage. If any jazz musician was poised to withstand the rock era it was Monk the performer and Monk the composer.

But to the words of cynics, Jack White says “I don't care” and spreads his statement across a 44 minute album that blends roof-shattering rock, blues, electronic, hip hop, country, spoken interludes, and even jazz. “The one who is prepared is never surprised”, I guess.

From his days as a Youtube sensation until now, Collier has been labelled as many things, most of which are positive. That statement of course leaves room for the negative. Despite making leaps and bounds as a producer and performer (check out the logic session breakdown for “All I Need”), there remains a fair few who long to see him fulfill his potential as a writer. After hearing Collier’s latest release, Djesse Vol. 3, I must say I share those same feelings.

A young James Taylor arrived on the crowded late ‘60’s musical scene a mature, fully formed artist. His voice was unique, rich-sounding and immediately identifiable, as was his acoustic guitar playing. His songwriting was accomplished both lyrically and melodically well beyond his 20 years.

Samara Joy, a mere 25 years old, has ascended to extraordinary heights in the jazz world — and rightly so. Raised in a family of gospel singers but nurtured on a diet of contemporary pop and jazz, Joy’s vocal prowess is astonishing. Her contralto-to-soprano range — soaring from hushed whispers to clarion calls — is as breathtaking as a hummingbird darting from flower to flower. Read Ken Micallef’s review to see how Portrait, her second LP on Verve, showcases her singular vocal talent on vinyl. . .