The $725 ($995 CAD) io is Rega Research’s entry level integrated amplifier. At 30 watts per channel into 8Ω—compared to the more costly Brio’s 50—the io aims toward listeners using easy-to-drive loudspeakers and/or headphones. Featuring the Brio’s moving magnet phono preamplifier and class A/B power amplifier stage, the io strives to borrow at a lower price point the Brio’s sonic characteristics: wonderful detail, wide dynamic range, and raw musicality. It shares the more costly Brio’s high quality “Alps Alpine” potentiometer and linear power supply. Rega even offers a lifetime warranty against any potential manufacturing defects. With its integrated phono preamplifier, two line level inputs, 3.5mm headphone output and remote control, the io offers everything a beginner hobbyist may require… at least theoretically.
“Obsessive” is the one word that best describes a true Beatles fan. Most Beatles songs contain subtleties that some first notice only after a few hundred listens. Add critical listening tendencies and repeated plays to the fragility of vinyl records, plus the ease with which defects can be heard and you have a recipe for disaster—especially if you add to the mix “audiophilia”.
The ‘60s fostered a music-driven cultural revolution nobody anticipated. From John Coltrane’s Giant Steps to The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, history’s most iconic albums saw artists leaving timeless and influential musical blueprints. However, calling the ‘60s “influential” shows only a limited understanding; rivalries were fierce, and competition defined the decade. Neither The Beach Boys nor Brian Wilson could escape the competitive climate.
We know that relationships dictate our life’s outcome. However, what isn’t obvious is the way relationships exist not only between people, but also within and beyond them. Singer-songwriter Lana Del Rey fortunately knows this well, though now more than ever she understands their utility. On Lana Del Rey’s second 2021 album, Blue Banisters, she proves that intrapersonal, environmental, and especially interpersonal relationships all teach valuable lessons promoting future wellness.
“Imagine building or improving your home stereo system in a way that makes your music come alive—like the performers are right in front of you—even on a budget. It’s easier than you think.” - PS Audio
High performance loudspeakers are a trekking pole in an audiophile’s lifelong, arduous journey to “audio nirvana”; without them, one won’t reach the destination. And while controversy surrounds the discussion of whether one should first stride into high-fidelity audio via spectacular loudspeakers or an exceptional source, one undeniably cannot ignore loudspeakers. If this is news, don’t fret. Designed by the renowned Andrew Jones (Jones announced last July 18th that he was leaving ELAC but he's yet to divulge his next move_ed), the ELAC Uni-Fi 2.0 UB52 bookshelf loudspeaker meets a growing audiophile’s needs. It’s a high performance reasonably priced loudspeaker.
The original McCartney III disappointed. Overall, I felt it was musically and lyrically weak. Fellow analogPlanet reviewers agreed, though those opinions were expressed in private communications and not published on the site. Then, on March 22nd, Paul McCartney announced McCartney III Imagined, where artists including Beck, Dominic Fike, Khruangbin, St. Vincent, Blood Orange, Phoebe Bridgers, EOB, Damon Albarn, Joshua Homme, Anderson .Paak, 3D RDN, and Idris Elba cover or remix original McCartney III tracks. McCartney himself handpicked the selections, taking a second crack at his self-titled trilogy’s third installment, though it seems he’ll require another layer of polish before this record rivals its predecessors. The old saying rings true; the third time’s the charm, and unfortunately McCartney III Imagined is merely the second.
Picture a circus brimming with color, excitement, and unrestrained wackiness. Weld that mental image to your favorite funk performance, whether it’s a distant memory or one of the Internet’s many treasures. The result should be invigorating, intoxicating, and most importantly, a spot-on Vulfpeck depiction.
The term oversaturated adequately describes most of the entry-level phono preamplifier market, no thanks to those selling functionally identical electronics distinguishable only by brand logos. For a multitude of reasons, mainly their unremarkable sound, seasoned audiophiles steer clear of these products. Their avoidance may also be caused by an allergy to inexpensive items, but that’s mere speculation. Unfortunately, new audiophiles know no better and often fall victim to the sub-par offerings. It’s up to talented engineers like Six Acoustic founder Steve Meszlenyi to show newbies what they’re missing.
You’ve no doubt heard of Jon Batiste in conversation and song, for he’s currently an integral piece of the complex puzzle that is today’s version of musical entertainment and of being a musical entertainer. Being bandleader of Stay human, The Late Show with Stephen Colbert’s house band provides a steady gig and the financial stability that allows him to flourish and more easily express himself.