The absolutely stunning, immediate and transparent sound is the first thing that hits you about this double LP, 3 sided record, which documents Daniel Lanois’ touring band. That’s partly a result of the stunning sound, yes, but it’s also partly because so much else recorded these days, just plain sucks sonically. The recording has "jump" quality, meaning a few vocals have such verisimilitude you might jump up and feel an adrenaline surge thinking a live human has invaded your listening room (watch out for that on "Sing.")
Daniel Lanois begins this instrumental excursion with a great wash of flanged psychedelic backwash, ribbed with pedal steel guitar in an upward thrust of musical birth that oozes from the speakers like sonic Cool-Whip.
Craft Recordings just served up the next pair of 180g 1LP offerings in their ongoing R.E.M. reissue series — namely, 180g 1LP editions of May 2001’s classic-sounding Reveal and March 2008’s power-pop punk slammer, Accelerate.
Read Mark Smotroff’s combo review of Reveal and Accelerate to see if either or both LPs are worthy additions to your vinyl collection. . .
Laura Nyro’s most personal, mature and intense album of love’s struggles proved to be the stopping point for many fans of the earlier gospel-y good time Nyro who sung “Stoned Soul Picnic,” “Eli’s Comin’,” “Wedding Bell Blues,” “Stoney End,” and even “And When I Die,” which was celebratory despite the song’s morbid title.
Let the Blue Note reissue riot continue! Fans of the cool, bluesy, gospely Blue Note sound can’t help but feel blessed at the output, whether from Classic in mono or from Analogue Productions and Music Matters in stereo.
The arranger Gil Evans was on a roll when this cool, yet raucous big band set of standards was recorded in New York City back in 1958. The California native and big band veteran had already arranged Miles Davis’ Miles Ahead and the cool and deep Porgy and Bess. Featured soloist Cannonball Adderley’s Blue Note classic Somethin’ Else had also hit big by then (okay, it was really a Miles Davis album, but Cannonball’s playing heated up Miles’s cool show).
Sad but true: a generation of white Americans first came to know the blues—a black American art form—by hearing it played second-hand thanks to the dedication of die-hard British blues enthusiasts like Long John Baldry, John Mayall, Eric Clapton, and of course, Fleetwood Mac’s Peter Green. The list goes on.
In the early �70�s, with the second great rock era in its death throws, the rock intelligensia hungered for something, anything that might reinvigorate the softening musical firmament.
Was this the greatest rock and roll concert recording ever as some suggest? Is it deserving of deluxe box set status? The producers of this ultra-sumptuous box obviously thought so!
Subtlety was not in Neil Young’s game plan when he sat down to write the tunes here, probably in a burst of creative energy born of frustration with the war in Iraq and other Bush administration activities over the past few years. Young’s moved quite a ways since his romance with the Reagan administration.
The official National Calendar says today, August 12, is National Vinyl Record Day, so I cued up a few of my favorite new vinyl offerings — including the latest 2LP studio set from a longtime favorite, a 4LP box set with an album I’ve been waiting decades to get on vinyl, and a brand-new-to-2024 throwback 45 — to celebrate the theme of the day. Read on to see what they are, and feel free to chime in about your own favorite LPs you were spinning on your own turntable on this most hallowed of days. . .
The Libertines, on their debut album Up the Bracket album (issued in the UK, October, 2002, and March, 2003 in America), deliver well-written punk-pop in a ragged-but-right style that teases with echoes of The Clash, The New York Dolls and Pavement. Avoiding the polar pitfalls of Green Day's predictability and Modest Mouse's endless demands on the listener's patience, they thread the skinny needle of superb garage rock, coming out the other side grinning, sweaty, and deserving of your buying them a Guinness.