Album Reviews

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Michael Fremer  |  Aug 01, 2005

As you'll read in James Lyons's Iiner notes for this disc, Respighi was a nostalgic artist who preferred the melodic, romantic music of a bygone era to the atonal, serial, avante-garde constructions popular when these retro-impressionistic compositions were written in 1927.

Michael Fremer  |  Apr 23, 2020
Cushioned by the Netherlands-based Matangi String Quartet, plus bass drums, percussion and occasional guitar, singer/songwriter/pianist Lori Lieberman delivers a tender, occasionally excruciatingly intimate song cycle replete with regret, heartache, abandonment, longing and loss.

Michael Fremer  |  Mar 01, 2014
Nothing Los Lobos recorded previous to 1992’s Kiko could have prepared anyone for this piece of sustained, surreal brilliance. Dreamlike sonic vistas, ominous lyrical horizons, mysterious musical crevices, and spring-like rhythmic compressions and extensions combine to create a dayglo, funhouse-like environment filled with familiar, but oddly drawn musical elements.
Mark Smotroff  |  Dec 15, 2023

Los Lobos’ benchmark 1992 album Kiko reigns supreme on its 30th anniversary tri-gatefold 3LP Record Store Day set that features an expanded 2LP version of the original album plus a bonus third LP of outtakes and studio jams. Read Mark Smotroff’s review to see why you need to find a copy of this special 3LP edition of Kiko for your collection, ASAP. . .

Mark Smotroff  |  Jul 26, 2024

In the world of popular music, few names are as iconic as Louis Armstrong. His influence is undeniable as one of the founding fathers of jazz, and while there is no shortage of posthumous releases issued since Armstrong’s passing at age 69 in 1971, that wealth of music can also make the process of discovery daunting for new listeners trying to figure out where to begin — or where longtime fans can continue. Read Mark Smotroff’s review of the newly released 180g 1LP Louis in London set on Verve to see why this live performance he did for BBC TV in 1968 is a great place to start and/or resume. . .

Michael Fremer  |  Sep 01, 2011

Still raw from 9/11? It's difficult to believe a decade has passed. So imagine this Louis Armstrong concert from 1956. For most of the audience, and for much of America, except for the "Baby Boomer" youngsters too young to remember, World War Two and the enormous human toll it took on families across the country was still a current event.

Michael Fremer  |  Dec 26, 2012
The late Arthur Lee exited a California prison in December of 2001, having served more than five years of a twelve year sentence for negligent discharge of a firearm. The long mandatory sentence resulted from California's ridiculous, now repealed "three strikes you're out" law.

Before being incarcerated Lee had resurrected his moribund career by teaming with a talented group called Baby Lemonade (named for a Syd Barrett song) much as had Brian Wilson with The Wondermints. Once out of prison, Lee took up where he left off, touring the world as Arthur Lee and Love.

Michael Fremer  |  Aug 01, 2004

While Four Sail was an obligation owed to the old label (Elektra) after Lee had signed a new contract with Blue Thumb, and while Lee shows signs of losing his muse, the album has actually added luster over the years, as in hindsight, the brilliance of Lee’s eclectic, restless mind comes through with greater clarity, even as the originality hangs mostly on his arranging skills.

Michael Fremer  |  Dec 01, 2004

Usually an aggressive Irish folkie with a penchant for some mad strumming, Mr. Bloom delivers a real snoozer on this 9 song set. If it puts you to sleep Bloom will be happy, for that is his intent.

Michael Fremer  |  Jul 16, 2020
Southern "New Age" is a new musical sub-genre for me, but if this is a typical example of it, y'all can be sure I'm on board. Luke Schneider coaxes from the 1967 emmons push-pull pedal steel guitar (named for the pedal steel guitar great, the late Buddy Emmons) cosmic otherworldly, uplifting heavenly sounds that instantly engage the head and message the heart.

Michael Fremer  |  Feb 11, 2014
Was Mel Tormé a jazz or cabaret singer? Or was he both? Some music "purists" actually argue such things. Mr. Tormé's recorded vocal and interpretive talents demonstrate his ability to work both rooms. He wasn't worried about being pigeonholed one way or the other. Though rhythmically adept and an excellent scat singer, the “Velvet Fog” could also croon.

Michael Fremer  |  Sep 01, 2017
It’s not an insult to call singer Lyn Stanley’s fourth album “formulaic”. Not when the formula includes bringing onboard some of today’s best studio and touring jazz musicians and arrangers, recording in the best studios and hiring the greatest engineers. Another part of the formula is the cover art: highly stylized, glamorous black and white photos of Lyn.

Michael Fremer  |  Feb 05, 2014
This new double LP pairs Será una Noche with the appropriately titled follow up Segunda two of M A Recordings’ most popular releases, first on CD then on XRCD and later available as high resolution files. Será una Noche was previously released on vinyl and reviewed on musicangle.com. Naturally vinyl cut from high resolution digital sounds better than the same files decimated to 16 bits. Todd Garfinkle’s simply miked, spacious-sounding 24 bit recordings have earned him a following among audiophiles, even though most of the exotic “world” music Garfinkle prefers to record is anything but traditional audiophile fare.
Michael Fremer  |  Sep 01, 2007

Todd Garfinkle’s simply miked, spacious-sounding 96K DAT recordings have earned him a following among audiophiles, even though most of the music Garfinkle prefers to record is anything but traditional audiophile fare.

Michael Fremer  |  Dec 01, 2010

Even atheists will swoon for Mahalia's unlikely Sunday morning thanksgiving at the 1958 Newport Jazz festival.  Accompanied by piano,  organ and bass Ms. Jackson begins with the solemn song "An Evening Prayer" and then moves to a more celebratory  "I'm On My Way." Then it's back to the mournful  "A City Called Heaven."

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