Album Reviews

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Mark Smotroff  |  Oct 03, 2023

It looks like the old Who’s Next. It feels like the old Who’s Next. But the new 180g 1LP half-speed-mastered 50th anniversary edition of The Who’s seminal August 1971 masterpiece Who’s Next sounds arguably bigger and better than any commonly available version of the original mix of Who’s Next that we’ve heard to date on vinyl. Read Mark Smotroff’s review to see why this new Abbey Road half-speed-mastered, Plangent Processes-restored 180g 1LP Who’s Next belongs on your turntable, pronto. . .

Michael Fremer  |  Oct 05, 2012
Arlo Guthrie is a registered Republican (though of the ultra-rare libertarian/progressive strain). That leaves Ry Cooder to carry on his dad's uncompromising protest song tradition and he does so with musical and lyrical conviction on this album aimed at the upcoming election that's no more likely to date than has "This Land is Your Land."
Michael Fremer  |  Oct 01, 2005

Long considered to be one of the best sounding RCA “Living Stereo” recordings, this Classic Records 45rpm single sided edition takes getting it into your home to new extremes. The flat “other side” means better disc to platter coupling, as does the Quiex SV-P 200 profile, which gives your platter no lip. At 45rpm, the wavelengths get elongated and thus are easier to track-especially at the inner groove area as the spiral gets tighter and tighter.

Michael Fremer  |  Dec 01, 2011

Why Pat Metheny remains “controversial” and even reviled by some jazz enthusiasts remains a mystery to me, though of course he also has an enormous international fan base. He’s criticized for not having sufficient “grit” or for being too “happy” for want of a better word. I don’t get it.

Michael Fremer  |  Oct 03, 2012
This is crazy! Why did it take so long for this to be officially issued? Whatever. It's Muddy Waters and his band live in Chicago, 1981 at the tiny Checkerboard Lounge, with Mick, Keith, Ronnie and Stones pianist Ian Stewart in the audience. Oh, and Buddy Guy, Junior Wells and Lefty Dizz.
Michael Fremer  |  May 01, 2010

Back in the 1940s the legendary concert promoter, record producer and record company head Norman Granz conceived of jazz performances in a classical music style concert setting.

Mark Smotroff  |  Jul 21, 2023

The cover image is iconic. The opening strains of the recording are iconic. Even the original label design is iconic. Fifty years on, we now celebrate Mike Oldfield’s landmark progressive masterwork debut album, May 1973’s Tubular Bells, with an expanded 180g 2LP half-speed-remastered edition overseen by Oldfield himself. Read on to get Mark Smotroff’s take on this this avowed timeless classic. . .

Michael Fremer  |  Sep 24, 2013
Over the past few Record Store Days Sony/Legacy has been slowly rolling out on 180g vinyl, much of the Miles Davis catalog mastered from original analog tapes. This coming Record Store Day, November 29th, the label will release on vinyl Miles and Monk at Newport, Jazz Track and Kind of Blue. At that point, all nine mono vinyl titles will have been released. The same nine mono titles will debut on CD in a new box set MILES DAVIS: The Original Mono Recordings to be released on November 11th of this year

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Ken Micallef  |  Jan 17, 2025

As noted in our coverage of the press event that happened in NYC back in December 2024, Miles Davis’ Birth of the Blue assembles, “in a single release, music recorded in 1958, one year prior to the landmark Kind of Blue.” Read Ken Micallef’s review to see if this AAA 180g 1LP release from Analogue Productions lives up to its advance billing. . .

Michael Fremer  |  Sep 09, 2020
Miles Davis's second collaboration with arranger/orchestrator Gil Evans (and the first recorded in stereo) is arguably the duo's best effort—a majestic, moody re-working of George Gershwin's classic folk opera recorded in three summer of 1958 sessions at Columbia's 30th street studios.

Mark Smotroff  |  Mar 29, 2023

While we haven’t followed every twist and turn of the career of Miley Cyrus, we have kept open ears and open minds regarding her evolution as an adult and bona-fide recording artist, someone not to be dismissed outright because of preconceived notions about who she is and where she comes from. To that end, AP editor Mike Mettler asked Mark Smotroff to check out her hit new LP Endless Summer Vacation, and here’s what he discovered. . .

Michael Fremer  |  Oct 01, 2007

This Capitol release features an extraordinarily pure, tactile orchestral recording and a solo violin recording of equal sonic stature.

Michael Fremer  |  Sep 11, 2013
I'll never forget the first time I heard well-recorded vibes on an audio system. It was at an E.J. Korvette's in Douglaston, NY on a pair of their XAM "house brand" speakers playing in the store's record department. I bought a lot of records there. The album was Terry Gibbs Quartet's That Swing Thing (Verve V6-8447) recorded live at Shelley's Mannehole in Los Angeles.

Michael Fremer  |  Aug 01, 2004

Perhaps this 1963 session isn’t peak Mingus, but it’s still unpredictable, volatile Mingus, leading two different 10 piece ensembles recorded in January and September of 1963. Side one’s group includes Eric Dolphy, Booker Ervin and Jaki Bayard, among others, and Mingus’s arrangements let them take flight beginning with a rumbling “II B.S.” (two bullshit), which probably became the template for every second rate jazz composer scoring for 1960’s television crime shows. The track absolutely smokes, fueled by Britt Woodman’s angry trombone blats and Jaki Bayard’s controlled keyboard pounding. Try not to get charged up when this track is playing.

Michael Fremer  |  Oct 01, 2005

It's almost laughable to think they were complaining about “commercialization” of the Newport Jazz Festival back in 1960 given what's happened to the venerable jazz festival, not to mention Wynton Marsalis doing ads for Movado and corporate sponsorships of bands, and festivals. We've got McCartney hawking some mutual fund or other, the Stones selling their music for commercials (I'm waiting for “Start Me Up” in a laxative ad). It's reached the point where nothing surprises, nothing shocks, and there's not a damn thing you can do about it except shake you head, and even that's really a waste of energy, so as they say, just lie back and enjoy it.

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