Album Reviews

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Mark Smotroff  |  Jul 21, 2023  |  8 comments

The cover image is iconic. The opening strains of the recording are iconic. Even the original label design is iconic. Fifty years on, we now celebrate Mike Oldfield’s landmark progressive masterwork debut album, May 1973’s Tubular Bells, with an expanded 180g 2LP half-speed-remastered edition overseen by Oldfield himself. Read on to get Mark Smotroff’s take on this this avowed timeless classic. . .

Michael Fremer  |  Sep 24, 2013  |  49 comments
Over the past few Record Store Days Sony/Legacy has been slowly rolling out on 180g vinyl, much of the Miles Davis catalog mastered from original analog tapes. This coming Record Store Day, November 29th, the label will release on vinyl Miles and Monk at Newport, Jazz Track and Kind of Blue. At that point, all nine mono vinyl titles will have been released. The same nine mono titles will debut on CD in a new box set MILES DAVIS: The Original Mono Recordings to be released on November 11th of this year

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Ken Micallef  |  Jan 17, 2025  |  3 comments

As noted in our coverage of the press event that happened in NYC back in December 2024, Miles Davis’ Birth of the Blue assembles, “in a single release, music recorded in 1958, one year prior to the landmark Kind of Blue.” Read Ken Micallef’s review to see if this AAA 180g 1LP release from Analogue Productions lives up to its advance billing. . .

Michael Fremer  |  Sep 09, 2020  |  12 comments
Miles Davis's second collaboration with arranger/orchestrator Gil Evans (and the first recorded in stereo) is arguably the duo's best effort—a majestic, moody re-working of George Gershwin's classic folk opera recorded in three summer of 1958 sessions at Columbia's 30th street studios.

Mark Smotroff  |  Mar 29, 2023  |  6 comments

While we haven’t followed every twist and turn of the career of Miley Cyrus, we have kept open ears and open minds regarding her evolution as an adult and bona-fide recording artist, someone not to be dismissed outright because of preconceived notions about who she is and where she comes from. To that end, AP editor Mike Mettler asked Mark Smotroff to check out her hit new LP Endless Summer Vacation, and here’s what he discovered. . .

Michael Fremer  |  Oct 01, 2007  |  0 comments

This Capitol release features an extraordinarily pure, tactile orchestral recording and a solo violin recording of equal sonic stature.

Michael Fremer  |  Sep 11, 2013  |  5 comments
I'll never forget the first time I heard well-recorded vibes on an audio system. It was at an E.J. Korvette's in Douglaston, NY on a pair of their XAM "house brand" speakers playing in the store's record department. I bought a lot of records there. The album was Terry Gibbs Quartet's That Swing Thing (Verve V6-8447) recorded live at Shelley's Mannehole in Los Angeles.

Michael Fremer  |  Aug 01, 2004  |  1 comments

Perhaps this 1963 session isn’t peak Mingus, but it’s still unpredictable, volatile Mingus, leading two different 10 piece ensembles recorded in January and September of 1963. Side one’s group includes Eric Dolphy, Booker Ervin and Jaki Bayard, among others, and Mingus’s arrangements let them take flight beginning with a rumbling “II B.S.” (two bullshit), which probably became the template for every second rate jazz composer scoring for 1960’s television crime shows. The track absolutely smokes, fueled by Britt Woodman’s angry trombone blats and Jaki Bayard’s controlled keyboard pounding. Try not to get charged up when this track is playing.

Michael Fremer  |  Oct 01, 2005  |  1 comments

It's almost laughable to think they were complaining about “commercialization” of the Newport Jazz Festival back in 1960 given what's happened to the venerable jazz festival, not to mention Wynton Marsalis doing ads for Movado and corporate sponsorships of bands, and festivals. We've got McCartney hawking some mutual fund or other, the Stones selling their music for commercials (I'm waiting for “Start Me Up” in a laxative ad). It's reached the point where nothing surprises, nothing shocks, and there's not a damn thing you can do about it except shake you head, and even that's really a waste of energy, so as they say, just lie back and enjoy it.

Michael Fremer  |  Dec 01, 2007  |  0 comments

Back in 1956 at the dawning of the hi-fi era, the easy listening piano duo of Ferrante and Teicher, (whose career spans six decades) released an album called Soundproof! on Westminster records (WP-6014).

Michael Fremer  |  Apr 01, 2007  |  1 comments

Joni Mitchell’s “road weary,” intensely personal adult confessional, released in 1971, shattered forever what appeared to be her carefully cultivated “hippie chick” image at a time when her star had ridden it to unimaginable heights on an almost vertical trajectory.

Michael Fremer  |  Aug 06, 2012  |  6 comments
The Grateful Dead's "Touch of Grey" was a spirited 1987 marching order to an aging Baby Boomer generation to "get by" and its assuring affirmation that "we will survive" was a stroke of timing and musical genius. The song became an unlikely hit for a group that didn't have or need hits and helped propel the band to further heights of both popularity and creativity.

Michael Fremer  |  Jun 01, 2021  |  72 comments
Seven years ago (2014) Sony/Legacy reissued for Record Store Day a swell version of Paul Simon's Still Crazy After All These Years, mastered by Ryan K. Smith at Sterling Sound and pressed at RTI. It was positively reviewed on this site.

Michael Fremer  |  Feb 01, 2010  |  0 comments

(Corrected version: Elliot Easton is still with us. Ben Orr, unfortunately, passed away in 2000. I mistakenly said "the late Elliot Easton" in the original review. My apologies!)

Michael Fremer  |  Sep 01, 2009  |  0 comments

For the most part, the best Art Pepper could do in 1972 when this set was issued was listen to and talk about old performances and old tapes. He recorded only one album during an extended period of inactivity stretching from 1968 to 1975.

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