Album Reviews

Long considered one of the great recordings of the early stereo era, España was originally issued in the UK on the British Decca label (SXL 2020) and on American subsidiary London (CS6006).

Chronically undervalued and unappreciated in America, The Pretty Things, like The Kinks, The Rolling Stones and so many other British Invasion bands began life as a blues based rock outfit, churning out short, raunchy, Bo Diddley-influenced numbers as this American debut demonstrates, and later veering off into uncharted musical waters. In the case of The Pretty Things, even their name is Bo Diddley derived. Unlike some Brit bands, these guys were anything but pretty in the beginning. They got prettier as time passed.

This set, recorded May 1959 in Paris during a Jazz at the Philharmonic tour finds Sonny Stitt on the Oscar Peterson guest list mostly playing alto with some tenor thrown in for good measure.

I've always wondered whether Otis Redding's Live in Europe, newly reissued on vinyl by Sundazed, was actually recorded in Europe. Frankly, I doubt it. The liner notes quote Redding reviews from Paris and the various cities in the UK, but they also refer to a Stax-Volt review featuring many artists, none of whom were given an album's worth of stage time, that's a guarantee. The audience here sounds as if it is predominantly Southern black Americans, and it's not racist to say you can tell the race and nationality of the woman who screams at Otis, "Sing 'Good to Me,' baby!" And the opening announcer sounds generically white-bread American (Little Feat's announcer on Waiting For Columbus copped this dude's riff). Maybe he was part of Redding's traveling entourage, but I doubt that too. Not that it matters where this supercharged performance took place.

These loose, swinging 50+ year old sessions recorded in the summer of 1958 and winter of 1959 and sounding incredibly life-like tonally, offer Duke Ellington and Billy Strayhorn on piano fronting small combos of legendary horn players, some not normally associated with Ellington, Joe Jones on drums and a few added musicians to spice up the mix.