Album Reviews

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Michael McGill  |  Aug 01, 2007  |  0 comments

Part 2:
And also, bravo to you for remastering something PRIMARILY FOR ITS MUSICAL VALUES that could by no means be considered an “audiophile favorite,” but is so much more essential as music than any number of cheese “audiophile” reissues.” No doubt you’ll field a few silly complaints from people who don’t understand the limits of these master tapes. (Classic showed the same good attitude when they reissued the Munch “Saint-Saens Organ Symphony” [LSC-2341], which “has distortion on the master tape”… but hey Audio World, it’s the BEST PERFORMANCE of a great work, and sounds thrilling!)

Mark Smotroff  |  Aug 23, 2024  |  8 comments

Pat Metheny burst onto the scene in the mid-1970s as basically a fully formed, guitar-slinging compositional prodigy — and his official debut album, 1976’s Bright Size Life, has just been reissued as part of ECM Records’ vaunted Luminessence series. Read Mark Smotroff’s review to see just how good this audiophile-grade LP edition of Bright Size Life is, and why you need to get a copy of it ASAP. . .

Dr. Flamboid S. Squeeziasky  |  Apr 01, 2004  |  0 comments

Patricia Barber’s familiar, well-loved live album Companion (so designated because Barber conceived of it as a “companion” to her previous studio album Modern Cool) —long available on180g vinyl and CD—is now out on a superb sounding hybrid SACD mastered via Mobile Fidelity’s Gain 2™ system. Three evenings worth of performances at Chicago’s famed Green Mill nightspot captured to high resolution digital by famed jazz engineer Jim Anderson were distilled down by Ms. Barber to create the original album. For this issue she’s allowed Mo-Fi to add the bonus track “You Are My Sunshine,” but all involved decided against a revisionist multi-channel remix, so 2 channels are all you get, which for many will be enough and for the real diehards is one too many.

Michael Fremer  |  Jan 21, 2021  |  2 comments
Patrick Higgins’ 2016 album Bachanalia —a sonically adventurous compilation of Bach compositions transcribed for guitar—provided smooth and familiar musical sailing compared to this recently released double LP of challenging, provocative Avant garde chamber music.

Michael Fremer  |  Mar 24, 2013  |  12 comments
Decca Records and air travel did not get along well. Imagine in a four year span losing both Buddy Holly and label mate Patsy Cline.
Michael Fremer  |  Oct 01, 2005  |  0 comments

As with William Shatner's infamous cover of “Lucy in the Sky With Diamonds,” Paul Anka's big band cover of Nirvana's “Smells Like Teen Spirit” was not meant to be a goof. However, unlike Shatner's mangling, Anka pulls it off brilliantly, thanks in part to the suave, sensitive arrangements, but mostly because the Vegas veteran clearly takes the tunes seriously and sees their intrinsic musical and lyrical merit. Whoever did the A&R work made inspired choices as the mix of tunes is eclectic and sometimes daring.

Michael Fremer  |  May 01, 2008  |  0 comments

Paul McCartney still has an unerring ear for a good melody. That’s something even his most severest critics can’t take away from him.

Mark Smotroff  |  May 03, 2023  |  15 comments

Beatles fans generally fall into two camps when it comes to how they feel about Paul McCartney’s solo and Wings eras — they either love them, or they more or less loathe them. That said, one Wings album we’ve really grown to love over the years is April 1973’s Red Rose Speedway. We’ve explored different pressings of this LP all along the way, and it’s always hinted there might be something sonically stronger hidden within the grooves. And now, with the half-speed mastered Record Store Day 2023 180g 1LP release of Red Rose Speedway, we finally have an answer. Read Mark Smotroff’s review to find out why this new RSD 2023 vinyl edition is worth your spinning time. . .

Nathan Zeller  |  Jan 19, 2021  |  43 comments
Forty years have come and gone since the release of the second entry within the self-produced McCartney series. One may wonder why a wait equivalent to a fourteenth century human lifespan was necessary. Or… one could let the feeling of gratitude wash over as at age seventy-eight, Paul McCartney continues to grace our lives with his music. Being my age, I lucked out in only living sixteen years in this world where the McCartney albums existed as a duology, or so I thought.

Michael Fremer  |  May 01, 2008  |  0 comments

Recorded in 1976, this audiophile classic sounds as astonishingly natural today as it did back then, only much better now given the improvements in modern analog playback gear.

Mark Smotroff  |  May 10, 2024  |  4 comments

Pearl Jam’s first studio album in four years, Dark Matter, is chock full of the kind of hard-edge songs that made the band great when they first burst onto the rock scene in the early 1990s. Read Mark Smotroff’s review to see if the Dark Matter LP passes audiophile muster. . .

Michael Fremer  |  Dec 19, 2020  |  1 comments
There's still time to order online this double LP set curated with love by Lee's granddaughter Holly Foster Wells—or if your local vinyl emporium has a copy—pick it up "live". The 22 song compilation of course includes ten tracks from Lee's Christmas album Christmas Carousel (1960), but it also features songs from her earlier Decca catalog along with from the Disney animated classic "Lady and the Tramp", and a pair of duets with Bing Crosby. Six of the album's songs were written or co-written by Lee.

Michael Fremer  |  Sep 01, 2007  |  0 comments

This is an easy call. Art Pepper at a productive time in his career musically and otherwise, recorded with vivid clarity at Contemporary Studios and delivered to the listener as a double 45rpm LP. You’ll be convinced Pepper’s standing between your speakers playing lithe alto sax lines that exude the delicacy of Paul Desmond and the muscular force of John Coltrane.

Michael Fremer  |  Apr 01, 2007  |  0 comments

Cynics tired of the RHCP’s act say they’re running on fumes. Yes, well then what accounts for the remarkable success of this album, packed with the band’s usual rap/rock/funk mix? That’s an easy question to answer. It’s reliably hard, funky, powerful, spare and big. It goes down easy but still engages.

Michael Fremer  |  Jan 04, 2018  |  16 comments
Silly me! I thought all Hans Zimmer lifted for The Gladiator soundtrack were bits and pieces of Holst's "The Planets". Everyone does that so no offense, but after playing this reissue I heard from where came the best parts of The Gladiator soundtrack. Surely this was on the CD player when Zimmer created his track. Don't get me wrong, it's still a masterful soundtrack and filled with sonic and musical jolts, but here's from where it originated.

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