Album Reviews

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Michael Fremer  |  Jun 01, 2006  |  0 comments

Clearaudio couldn't have gone into the record business to provide software support for its line of turntables. There’s no shortage of new vinyl in 2006. Perhaps the album’s producer is a friend.

Michael Fremer  |  Apr 01, 2009  |  0 comments

The long running outfit known as Mercury Rev (first album, Yerself Is Steam issued 1991 on the UK Mint Films label and 1992 on U.S. Columbia) didn’t take its name from the liquid element. The first album’s back jacket offers a clue: with or without permission, it reproduces the ‘Stereo 35MM’ logo found on cloth-spined Command Classics LPs and that’s fine with me. “Fine”&#151get it? Fine? It even reproduces the part of the logo that says the recording was on 35MM magnetic tape, but I doubt that album really was. (Hint: those Commands were recorded by the legendary Mercury Records engineer (and mastered by George Piros for that matter).

Mark Smotroff  |  Jan 06, 2023  |  4 comments

Never one to sit idle, even after a debilitating physical injury he sustained in late 1971, Frank Zappa pushed onward to make some of the most creative music of his entire career. The resultant two albums — July 1972’s Waka/Jawaka (official Zappa album No. 15) and November 1972’s The Grand Wazoo (official Zappa album No. 16) — are two sides of a coin now duly feted in a pair of new, 50th anniversary 180g 1LP editions sporting all-analog mastering by Bernie Grundman. Read Mark Smotroff’s review to find out why you need to get your hands, and ears, on both LPs. . .

Michael Fremer  |  Oct 01, 2005  |  1 comments

The Concord catalog is filled with great sounding recordings made by top tier artists in the later phases of their careers. There's nothing wrong with that. It's to label founder and producer Carl E. Jefferson's credit that he had a jazz label vision and saw it through at a time when jazz was on the decline commercially.

Mark Smotroff  |  Mar 08, 2024  |  4 comments

Plangent Processes is again at the center of a pair of new Grateful Dead reissues that were released by Rhino back in January: a) July 1977’s Top 30 hit LP Terrapin Station and July 1987’s Top 10 smash In the Dark — and now we’re finally getting around to reviewing them here together. Read Mark Smotroff’s review to see if either or both of these new LP editions of Terrapin Station and In the Dark — supervised and produced by noted Dead archivist David Lemieux, and mastered for vinyl by David Glasser — belong in your collection. . .

Michael Fremer  |  Jan 03, 2017  |  10 comments
There was a period in '60s record history when you could buy "by the label" and pretty much be assured of a great listen. It was true of Elektra and later, after it got off its "high horse," Columbia, which for a while wouldn't touch rock.

Michael Fremer  |  Sep 01, 2010  |  1 comments

Chris Darrow may not be a name familiar to you, nor might Kaleidoscope, the ‘60s psych/folk band on Epic of which he was part. That band passed me by back then. Maybe I didn’t like the cover art, or thought Epic wasn’t in the same solid A&R league as was Elektra for instance, so I didn’t want to chance it. I never heard them on the radio and Epic probably did a crappy job promoting them.

Michael Fremer  |  Sep 01, 2007  |  0 comments

The Clientele’s Alasdair Maclean has been seduced by the precious 60’s west coast soft pop of Curt Boettcher, The Association, Brian Wilson, Boyce-Hart, Papa John Philips and even Arthur Lee, though like his fellow seductee Sean O’Hagan of High Llamas, he hails from the UK.

Michael Fremer  |  Jul 02, 2019  |  29 comments
First off, UMe touts this reissue as "...newly remastered from the original 1949 analog tapes for the first time since 1957." That's nonsense: Bernie Grundman cut this from the original analog tapes for Classic Records back in the 2000s. And I believe the RVG CD did as well (correct me if I'm wrong). Facts matter.

Mark Smotroff  |  Oct 11, 2023  |  20 comments

The new Geffen/UMe 1LP edition of Steely Dan’s seminal September 1977 album, Aja, sounds pretty darn good, all things considered, given that it bears a key difference from the other entries in this reissue series to date. Read Mark Smotroff’s review to see what that difference is, and if this new edition of Aja is right for you either way. . .

Michael Fremer  |  Nov 30, 2016  |  18 comments
The second David Bowie box set covers but two years—1974-1976—but for David Bowie that timespan leaped across a few musical universes.

Michael Fremer  |  Aug 01, 2005  |  1 comments

“Jazz” and “clarinet” usually equals Dixieland in the minds of many jazz fans, which may explain, in part, why jazz clarinetist Jimmy Guiffre, a most imaginative, and free-spirited musician failed to achieve the acclaim he deserved-not that there's anything wrong with Dixieland.

Michael Fremer  |  Jul 28, 2020  |  13 comments
This previously unreleased March 9th 1959 session recorded at Rudy Van Gelder’s Hackensack home studio is a “must have” for Blue Note “completists”, especially for those with an affinity for car and plane crash videos. If you are just getting into the rich Blue Note catalog, your money is best spent elsewhere as this session, despite the stellar group, often sounds listless and forced. Grooves get glossed over in favor of speed.

Michael Fremer  |  Jun 01, 2010  |  0 comments

Producer and concert promoter Norman Granz signed Ella Fitzgerald to his Verve label back in 1956 and thus began a series of stellar studio albums, orchestrated songbooks and live set releases, many of which have been reissued on both CD and deluxe vinyl.

Michael Fremer  |  Oct 01, 2007  |  0 comments

For those of you who know the pleasures of guitarist John Fahey’s Takoma recordings (Fahey was a rabid audiophile, BTW), or Robbie Basho’s, or even Sandy Bull’s extraordinary experiments in guitar-based world music fusion on Vanguard, James Blackshaw may already be on your radar screen, as may some of the other contemporary guitar experimenters who fly equally low beneath the mainstream musical radar screen, but until this LP, I’d not encountered the 24 year old Blackshaw who’s been recording and performing since 2003.

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