Discographies

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Malachi Lui  |  Aug 13, 2021  |  6 comments
Continuing our multi-part exploration of Japanese synthpop group Yellow Magic Orchestra (YMO), this week we’ll analyze Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto’s solo LPs and side projects from 1980-1982. For brevity’s sake, we’ll exclude the artists’ production work for other acts, focusing only on Takahashi, Hosono, Sakamoto, and Hideki Matsutake-led projects (apologies to fans of Kenji Omura’s Spring Is Nearly Here). In addition, releases only reviewed digitally here won’t feature sound scores. Below are links to this series’ previous features:

Malachi Lui  |  Aug 01, 2021  |  11 comments
This week, AnalogPlanet begins a multi-part exploration of Japanese synthpop pioneers Yellow Magic Orchestra (YMO). Through reviews of their core releases and YMO-era side projects, we’ll dissect how, by incorporating elements of exotica, video game music, musique concrete, and more, the trio of Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto transformed electronic music. They gained massive success in Japan but are also credited for influencing hip-hop and Detroit techno. First, however, we’ll explore the individual members’ pre-YMO work.

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