Discographies

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100 Recommended All-Analog LP Reissues Worth Owning
Michael Fremer  |  Apr 03, 2019  |  81 comments
Here's 100 recommended all-analog LP reissues worth owning. The video runs two hours so unless you are masochistic, you might want to watch in shorter segments but covering 100 LPs took time! Plus there are the usual fun stories interspersed throughout. Okay, I got wrong the The Who's "Tommy"'s original issue date (I said November '68, was May '69) otherwise all of the information should be correct. Yes, too many superlatives, but that’s video!

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Discographies
68 Weird and Unusual Records In My Collection
Michael Fremer  |  Apr 13, 2021  |  35 comments
The first AnalogPlanet video in months is an hour plus worth of weird and unusual records in the editor's large collection. What makes an album "weird" or "unusual"? A wide variety of possibilities as you'll see in this amusing and entertaining video in which the website's editor literally lets his hair down.

At least I think there's humor here!

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Discographies
Jon Hassell—An Incomplete Discography
Dan Schwartz  |  Jul 05, 2021  |  3 comments
Dan Schwartz provides a brief look at some of Jon Hassell's records:

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DiscographiesFeatures
The Peaceful Glitch Pop of Sketch Show
Malachi Lui  |  Nov 09, 2021  |  12 comments
Earlier this year, I wrote a four-part series about Yellow Magic Orchestra, the seminal synthpop trio of Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto. Of course, that’s only the tip of the proverbial iceberg; between solo records, collaborations, other bands, productions for others, and session credits, hundreds of wildly varying releases encompass the YMO-centered extended discography.

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Yellow Magic Orchestra: Explorations, Part 1 (1978-1981)
Malachi Lui  |  Aug 06, 2021  |  4 comments
Introduction

This is the part one of a multi-part exploration of Japanese synthpop pioneer Yellow Magic Orchestra (YMO) previewed in the recent “Yellow Magic Orchestra: Prologue”. This week, I’m dissecting the group’s albums from the 1978 self-titled debut through November 1981’s Technodelic. While I did as much research as possible, in the English-speaking world little verifiable information about YMO exists. Earlier this year, Ryuichi Sakamoto associate Eiichi Yoshimura published YMO 1978-2043: Definitive Story Of Yellow Magic Orchestra, but no English translation exists (and I’ve not yet learned Japanese). Much of what’s on Wikipedia has no traceable citation; to avoid inaccuracies any info from there will be mentioned as “supposed” or “presumed”.

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Yellow Magic Orchestra: Explorations, Part 2 (1983-Present)
Malachi Lui  |  Aug 20, 2021  |  0 comments
Concluding our multi-part exploration into pioneering Japanese synthpop group Yellow Magic Orchestra (YMO), this week we’ll analyze the trio’s work from 1983’s Naughty Boys to the present day. We’ll only focus on the core catalog albums; as good as non-album tracks like “Chaos Panic” and “M-16” are, coverage of those would interest only maniacal completists. Those who aren’t yet caught up can view the series’ previous features below:

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DiscographiesFeatures
Yellow Magic Orchestra: Intermission, 1980-1982 (Solo LPs & Side Projects)
Malachi Lui  |  Aug 13, 2021  |  5 comments
Continuing our multi-part exploration of Japanese synthpop group Yellow Magic Orchestra (YMO), this week we’ll analyze Yukihiro Takahashi, Haruomi Hosono, and Ryuichi Sakamoto’s solo LPs and side projects from 1980-1982. For brevity’s sake, we’ll exclude the artists’ production work for other acts, focusing only on Takahashi, Hosono, Sakamoto, and Hideki Matsutake-led projects (apologies to fans of Kenji Omura’s Spring Is Nearly Here). In addition, releases only reviewed digitally here won’t feature sound scores. Below are links to this series’ previous features:

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DiscographiesFeatures
Yellow Magic Orchestra: Prologue
Malachi Lui  |  Aug 01, 2021  |  11 comments
This week, AnalogPlanet begins a multi-part exploration of Japanese synthpop pioneers Yellow Magic Orchestra (YMO). Through reviews of their core releases and YMO-era side projects, we’ll dissect how, by incorporating elements of exotica, video game music, musique concrete, and more, the trio of Haruomi Hosono, Yukihiro Takahashi, and Ryuichi Sakamoto transformed electronic music. They gained massive success in Japan but are also credited for influencing hip-hop and Detroit techno. First, however, we’ll explore the individual members’ pre-YMO work.

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