Interviews

David Crosby has the voice of an angel. Not only can you hear his distinctive vocal tone coming across pure and true all throughout his most recent studio album, For Free — one of AnalogPlanet’s Top New LP Releases of 2022, in fact — but you can hear his long-entrenched instinct for beautifully layered harmonies on David Crosby & The Lighthouse Band’s Live at the Capitol Theatre, currently available in a 1CD/1DVD package via BMG, but (hopefully) coming soon on vinyl. Croz got on the line with AP editor Mike Mettler to discuss the importance of overtones all throughout his recording career, why having Miles Davis cover one of his most heartfelt songs is a career highlight, and why his very first solo album — February 1971’s If I Could Only Remember My Name — remains an audiophile benchmark LP to this very day — and, of course, much, much more. . .

Bassist Roger Glover is the secret sauce of Deep Purple. His pub-rock roots fuel the sonic elixir that gives Purple’s musical bouillabaisse blend of rock, classical, and progressive the extra oomph it needs — and it’s something that’s well in evidence on Deep Purple’s latest, and 23rd, studio LP, the 180g 45rpm 2LP set named/numeraled = 1, which was released by earMUSIC/Edel on July 19, 2024. On a recent Zoom call with AP editor Mike Mettler, Glover discussed his instinctual connection with drummer Ian Paice, which version of the band’s classic 1972 LP Machine Head is his favorite, and what vintage Deep Purple albums he’d like to remix himself. . .

AnalogPlanet editor Michael Fremer first encountered Discogs founder Kevin Lewandowski back in 2013 at the giant Utrecht Record Fair in The Netherlands. Lewandowski was there to promote Discogs and of course to buy records.

Stewart Copeland has always followed the beat of his own drum — or, rather, he’s always been the consummate rhythmatist who’s unwaveringly laid down his own style of drumming perpetually in service of the song at hand. And now, the sonic fruit of his latest twisted muse, if you will, has manifested itself in a solo project somewhat cheekily dubbed Police Deranged for Orchestra, consisting of ten classic and deep-cut Police tracks rearranged — or “deranged,” in Copeland’s titular parlance — as released in its 1LP form by Shelter/BMG this Friday, June 23. During a recent Zoom interview with AP editor Mike Mettler, Copeland discusses how he opened up the dynamic range with all the Derangements he came up with for this album, how he shepherded the “perfect” snare, and just how meticulous he got when he wrote out the entire Deranged score for each orchestra member to follow. . .

An exclusive and extraordinary interview with Gary Wilson conducted by Frank Doris