Features

Whether it's the 60s material controlled by ABKCO or the 1971-onward catalog owned by the band, the Rolling Stones' discography is among the world's most tirelessly and excessively reissued; every few years, there's yet another remastered, repressed, repackaged reissue of the same decades-old classics. After several mediocre reissues of the Rolling Stones Records albums (particularly the first and best two, Sticky Fingers and Exile On Main Street), AnalogPlanet editor Michael Fremer found the half-speed mastered 2018 Studio Albums Vinyl Collection 1971–2016 box set (now available as individual albums) to best capture the original LPs' spirit, even if sometimes lacking in transparent analog sparkle. However, I thought another perspective on the Sticky Fingers and Exile reissues, also taking into account the Japanese flat transfer CDs, would be useful.

The $725 ($995 CAD) io is Rega Research’s entry level integrated amplifier. At 30 watts per channel into 8Ω—compared to the more costly Brio’s 50—the io aims toward listeners using easy-to-drive loudspeakers and/or headphones. Featuring the Brio’s moving magnet phono preamplifier and class A/B power amplifier stage, the io strives to borrow at a lower price point the Brio’s sonic characteristics: wonderful detail, wide dynamic range, and raw musicality. It shares the more costly Brio’s high quality “Alps Alpine” potentiometer and linear power supply. Rega even offers a lifetime warranty against any potential manufacturing defects. With its integrated phono preamplifier, two line level inputs, 3.5mm headphone output and remote control, the io offers everything a beginner hobbyist may require… at least theoretically.

Jazz historian, Resonance Records Co-President and tireless searcher for unreleased jazz treasures Zev Feldman in 2015 was searching the French Institut National de la audiovisual (INA) archives when he came upon the complete, never before released in their entirety, Albert Ayler’s 1970 ORTF 1970 Fondation Maeght Recordings, recorded by Radio France, using professional recording equipment—a completely different STEREO source for this material than the radio broadcast, parts of which had previously been issued.

“Obsessive” is the one word that best describes a true Beatles fan. Most Beatles songs contain subtleties that some first notice only after a few hundred listens. Add critical listening tendencies and repeated plays to the fragility of vinyl records, plus the ease with which defects can be heard and you have a recipe for disaster—especially if you add to the mix “audiophilia”.

Billy Byers (1927-1996) was an excellent jazz trombonist that today is probably best known for his all over the horn, hard-swinging solo on the title track of Frank Zappa’s The Grand Wazoo album. Although he was awarded a long solo by Zappa, a famously exacting taskmaster, and played in the bands of the no less demanding Buddy Rich and Benny Goodman, recorded as a sideman on many jazz dates and made two albums as a featured soloist, Byers after the late 1950s, mainly worked as an arranger, not as a player. Probably the choice of the rigors and travails of the life of a touring jazz musician or the frequent tedium of studio work had little appeal and he made a long and successful career for himself, writing arrangements for hundreds of jazz recordings, movies and television shows. Discogs lists three hundred and forty-one “Writing & Arrangement” credits for Byers.