LATEST ADDITIONS

Mark Smotroff  |  Jun 24, 2022

There’s a striking new reissue from Craft Recordings I’m sure many jazz fans and collectors are as excited about as I am: 1957’s The Poll Winners. This LP features three of the greatest jazz musicians of their time — Barney Kessel on guitar, backed by Shelly Manne on drums and Ray Brown on bass. How does Craft's QRP-pressed 180g reissue sound and compare to my original LP? In short, it is pretty fantastic. The new edition is much bigger-sounding in many ways, notably on the low end. Read on to find out more. . .

Mike Mettler  |  Jun 23, 2022
Extra, extra, read all about it: Jethro Tull's seminal March 1972 album Thick as a Brick is soon coming our way in a 50th anniversary 1LP half-speed master in its original newspaper packaging on July 29, via Parlophone.
Mike Mettler  |  Jun 22, 2022
It's demo time! Garth Leerer of Musical Surroundings will demonstrate the new DS Audio ES-001 Eccentricity Detection Stabilizer, which was introduced at the Munich High End show, at Quintessence Audio in Chicago this Saturday, June 25, from 1 to 6 pm (Central time).

Mark Smotroff  |  Jun 17, 2022
I discovered New York’s Grizzly Bear in a most typical way, for me — over the in-store PA system at Amoeba Music here in San Francisco. When their in-store play got to the band’s then-big hit — “Two Weeks,” from their May 2009 album Veckatimest — I realized I had indeed previously heard the song’s distinctive, earworm-inducing, millennial-whoop-flavored signature hook. Soon enough, I started collecting the Grizzly Bear catalog on vinyl. While I’ve enjoyed my 180g Veckatimest reissue, I’ve long suspected there might be more depth tucked away in the recording. Thus, I was excited to learn the good folks at Vinyl Me Please were re-releasing Veckatimest in a half-speed mastered, 45rpm colored vinyl edition.
Michael Fremer  |  Apr 20, 2019
Here's the second part of AnalogPlanet's AXPONA 2019 analog coverage. Covering it all required all three show days and did not allow even a minute's worth of listening. It was all running from room to room. I think I caught everything new introduced at the show other than the debut of the Dynavector DV17dx MC cartridge mounted on the Well Tempered 254 in the Stereo Haven room. The snowstorm forced me to leave the show early on Sunday so I could catch a flight out I was able to get booked on after my original scheduled for 8:30PM was cancelled. Apologies to Dynavector American importer Mike Pranka!

Michael Fremer  |  Oct 04, 2018
The second edition of "Making Vinyl" was an even greater success than last year's, which was plenty good. Following Record Store Day founder Michael Kurtz's panel "Record Store Day 11 Years Later", AnalogPlanet.com editor Michael Fremer ran "New Vinyl Plants Fire Up the Presses", which you can watch here. (Photo: Discogs sandwich of Jeffrey Smith and Sean Cannon).

Michael Fremer  |  Mar 09, 2018
A nasty winter storm on Wednesday knocked out power at AnalogPlanet headquarters and we are still waiting for its return.
Michael Fremer  |  Aug 14, 2017
Last Friday, Saturday and Sunday (August 11-14) marked the 15th anniversary of the Hong Kong High End Audio/Video Show held at the gleaming Hong Kong Convention Center. First day's attendance (Friday) was a genuine 11,000. Saturday's was 12,000 and the show organizers told me they expected Sunday's attendance to also hit 12,000. When you watch the video you will have no trouble believing these numbers other than to think they are low!

Michael Fremer  |  Jul 27, 2017
At What Hi-Fi?'s International High-End A/V 2017 show in Bangkok, Thailand VPI introduced the new Cliffwood turntable. The new turntable features a vinyl-wrapped plinth, an inverted ceramic ball topped bearing, an aluminum alloy platter and a new gimbaled bearing tone arm.

Michael Fremer  |  Feb 25, 2017
Originally licensed in 1959 from British Decca and issued by RCA Victor in America on its lavish Soria series as LDS-6065, the "Gala Performances" performed by The Royal Opera House Orchestra, Covent Gardens conducted by Ernest Ansermet continues to draw new enthusiasts to what many consider one of legendary engineer Kenneth Wilkinson’s most spectacular recordings.

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