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Arriving at the Universal facility in Hanover, I was confronted by a large, multi-storied modern facility. I had been led to believe that the site was the original home of Berliner, but in fact, that was elsewhere in Hanover, and instead a small section of the mastering facility’s first floor had been turned into a small museum showcasing artifacts from among Berliner’s effects. Among them was Berliner’s original flat disc gramophone, early plated lacquers and finished discs, his original “Nipper” drawings, other Berliner designed playback devices, and some photos of the inventors. It was thrilling to see the first flat disc playback device “in the flesh.”

Photos lined the walls and corridors: photos highlighting the rich recording heritage of Deutsche Gramophone and other labels now under the Universal umbrella. There were pictures of recording sessions from the 30’s, 40’s, 50’s and beyond, featuring Herbert Von Karajan conducting the Berlin Philharmonic while a team of recording engineers and technicians in an adjacent control room oversaw the capture to analog tape. There were shots of Karl Bohm, Leonard Bernstein, Seji Osawa, and other luminaries of a bygone era, exuding a gravity, importance and grandeur that people no longer seem to possess anywhere on the planet. That goes for musicians, politicians, you name it. And if you don’t sense it in everyday life, you surely would walking down that corridor taking in those black and white photos.

The Tracking Angle Interview: Los Lobos- America's Band

By Michael Fremer

The goodies were stacked on a big table in the corner of the stars' dressing room: an industrial size sack of M&M Peanuts, big bags of Herr's tortilla and potato chips, a jar of Pace brand Thick and Chunky Salsa, fresh fruit, a ten pack of Kellogg's cereals, a plate of muffins, a cheese, tomato and deli platter, jars of Hellman's mayonnaise and Grey Poupon mustard, and some local color- loaves of Stroehmann's Pennsylvania Dutch and white bread and a big red box of Ivins' "Famous Spiced Wafers."

"Did the Los Lobos guys really ask for Pace salsa in a jar? Or did the Electric Factory people figure the beaners would expect it? If Al Kooper plays there do they put out knishes and Cel-Ray tonic?," I'm thinking. I was hungry, but I wasn't going to help myself to the band's food. If I couldn't eat it, I'd memorize it, which I did. And I waited. And waited.

Los Lobos On Record

This survey omits the group's first independent release (1978), and the La Bamba Original Motion Picture Soundtrack (1987)

(Album covers can be found in the Photo Gallery, accessible below the picture of the site mascot, Mr. Eno).

“Canvas the town and brush the backdrop…”

Brian was already smoking pot by late 1964, and his first efforts combining reefer and music were promising: most of the songs on side two of The Beach Boys Today, particularly “Please Let Me Wander”, showed Brian expanding on the beautiful, innocent vulnerability which began with “Surfer Girl”. His arranging skills in particular were growing into something completely different by this time, and culminated with the burnished spiritual gauze of Pet Sounds. Brian later revealed that the gleaming introduction to “California Girls” was composed following his maiden L.S.D. voyage. But, Brian Wilson, a man of delicate psyche to begin with, was probably not someone who should have taken large amounts of psychedelics. But along with this, speed - especially a compound called Desputol (sic) - was becoming more and more prevalent in Brian's world. The result was a man with many of the casebook symptoms of abusing the drug, the biggest and most obvious being overwhelming paranoia. Brian began talking about Murry bugging his house, Phil Spector (and his 'mind gangsters') attempting to freak Brian out via director John Frankenheimer's film “Seconds”. Brian's mind must have been like a spooky house of mirrors at the time. Van Dyke later commented, “If you go to the dark side of the moon, you're lucky that you don't get burned up on re-entry…”

Though much has changed since this story first appeared, it still holds interest. Mike Hobson and Ying Tan have long since split, with Ying starting Groove Note, and sadly, plating guru Ed Tobin was murdered, but Bernie Grundman Mastering thrives, as does Classic Records, thanks to the vinyl revival now underway.

Spend a few days watching how they make records late twentieth century style and you'll understand why hardly anyone makes them anymore. You'll also appreciate why the good ones cost what they do.

It was January 20, 1965. The "British Invasion" was at its apex. Led by The Beatles, English rock bands dominated the American airwaves. Meanwhile, with little fanfare, a newly formed aggregation called The Byrds was working ardently on their first (and possibly last) single for Columbia Records. As was standard record company practice back then, the Byrds' contract called for one single. If it was successful, an entire album would be commissioned. Otherwise it would be bye-bye Byrdies.

TA: How did you select music as a career? What were the factors involved in your going that direction for your occupation?

RM: I just loved it and I kinda fell into it. I was playing it as a hobby and getting ten dollars a night at the coffeehouse.

TA: How old were you at this point?