ELAC Alchemy designer Peter Madnick is well-known to veteran audiophiles as the man behind, among other companies, Audio Alchemy, the “high end” brand that during the 1990s made high performance affordable. With Madnick designing and the business side run by Mark Shifter—a guy who could sell ham to a Hasid—Audio Alchemy had a formidable, decade long run before it folded.
Parasound’s $595 ZPhono XRM is a compact, versatile MM/MC phono preamplifier that offers flexibility and features not usually found at this price point including gold-plated balanced XLR outputs (and gold-plated single-ended RCA outputs), a mono switch, an 18dB/octave rumble filter and for its MC input, continuously variable loading from 50ohms to 1050ohms.
Pro-Ject Audio Systems is undoubtedly the king of budget friendly, entry-level, high performance analog components. A definite go-to for sub $1000 turntables and bang for your buck phono preamps. Founded in 1991 by Heinz Lichtenegger during the evil reign of the CD, they fought their way to vinyl success and made it!
Last year Peter Noerbaek offered me a review sample of the Liberty Audio B2B-1 phono preamp. “I’m happy with my MoFi UltraPhono,” I told MF, “but I’ll try the B2B-1.” Not necessarily thinking it would at first make a significant difference in my system, I soon instead found that in terms of imaging, punch, dynamics, and sonic cleanliness, it greatly enhanced my hi-fi’s performance.
For almost two decades now British phono preamp manufacturer Graham Slee has been designing, producing and selling specialized high quality phono preamplifiers. His latest is the $1449 Accession, an unusually versatile model that includes a volume pot, which means the Accession can be used as preamplifier to drive a power amplifier. If all you plan on doing is playing records using one turntable and a moving magnet cartridge (or a high output MC or moving iron), the Accession obviates the need for a separate preamplifier.
Pro-Ject’s DS2 USB combines in one chassis a versatile MM/MC phono preamplifier and a high resolution A/D converter capable of digitizing at up to 192/24 bit PCM or 128 DSD (A/K/A “double DSD”). It’s a feature-packed unit that includes 2 independently adjustable phono inputs and a line input and both USB and optical TOSlink digital outputs as well as an analog output. An outboard 18V “Wall Wart” powers it.
An Amazon search for “phono preamp for turntable” (the last two words theirs) will yield approximately 395 results, and above most affordable Pro-Ject, Cambridge Audio, U-Turn, and Music Hall phono preamps are those of Pyle, a company that makes most every kind of easily affordable product; hifi and A/V components, pro audio products, fitness trackers, subwoofers for boats, kitchen appliances, pest controlling devices, and even security systems! Pyle makes several budget phono preamps with the same specifications, including the $18.99 (MSRP) PP444. Two of Pyle’s preamps have well over 1,000 reviews on Amazon (mostly from real humans as far as I can tell), so quite a few people are buying these for their audio setups. Pyle’s audio products haven’t gotten much coverage, so I gave the PP444 a try.
Cambridge Audio's Duo is a compact, attractive, lightweight (2.1 Lbs) low priced phono preamplifier that will surprise you with its solid sonic performance as well as its low price. It certainly surprised me! It also features a headphone amplifier so it makes for a great desktop or dorm room accessory.
The Lejonklou Gaio MM phono preamplifier is as simple to use as Swedish designer Fredrik Lejonklou’s name can be difficult to spell or pronounce until you get the hang of it. The Gaio has been referenced in various AnalogPlanet moving magnet phono preamp shoot-outs but it’s never been given a stand-alone review.
Phono preamps arrive here by the stack. It’s difficult keeping up. To be honest, Arcam’s rPhono arrived before the JC3 Jr. but here, anything with John Curl’s name attached automatically goes to the head of the queue, especially considering the Jr.’s remarkable $1495 price.
First released in 2010, Parasound’s JC 3 MM/MC phono preamplifier began as a dual-mono John Curl-designed phono section retro-fit for its JC2 line stage. With vinyl’s popularity on the rise, Parasound’s Richard Schram figured a stand-alone version priced right might find an audience.
CiAudio (better known as Channel Island Audio) is an American-manufacturer of high quality, moderately priced electronics that you can explore at the company’s website. The PEQ 1 MKII is built to an unexpectedly high standard given its $995 price tag and American heritage.
The outside is a sturdy milled aluminum chassis unusual at this price point as are the highest quality panel mounted Cardas™ RCA jacks. Inside is a dual mono design with each input jack going to an identically laid out, independent mono circuit, which helps to eliminate crosstalk.
First let's all agree that these short clip tests are useful and fun but must be taken as "for entertainment purposes only."
For those joining late, we twice asked the question "Should You Buy a MM-Only Phono Preamp If You Own a MM Cartridge"?, each time offering "blind listening" and voting. The first time was way back in May of 2017 where you could listen and vote for one of eight phono preamps, some MM-only and some MM/MC running in MM.