Album Reviews

Like Paul McCartney's Kisses on the Bottom, The Eagles' Glenn Frey's standards album was produced with requisite class, though Frey's song choices range wider, covering everything from the 1922 Al Jolson classic "My Buddy" to Brian Wilson's soothing Pet Sounds solo turn "Caroline No" written with Tony Asher.

A description of this record in Twitter-like brevity: "Sandy Bull meets Michael Hedges in a church."

Of course that short-changes everyone involved, especially the only living artist among the three: guitarist Patrick Higgins.

A recent sales blurb from UMe's "The Sound of Vinyl" website reads: "Using the original analog master tapes this artisan process results in cuts that have superior high frequency response (treble) and very solid and stable stereo images. In short, a very high quality master that helps to create a very high quality record."

Chad Kassem's got a vinyl selling website, a reissue label, a pressing plant and well-oiled licensing deals so what's left to do but a self-produced double vinyl Christmas compilation pressed on red and green?

No doubt Elvis Costello knew he was no George Jones or Merle Haggard when, in the spring of 1981 he stepped before the microphone in CBS's Studio A in Nashville under the direction of veteran producer Billy Sherill (who passed away this past August), but he wanted to record an album of country covers in Nashville and following the cleansing craziness of the Trust sessions, this probably seemed like the right time.

"Jenny Sings Lenny" as Mr. Cohen playfully referenced this album in a cartoon included in the original release's liner notes but for some reason omitted here, both technically and musically has never sounded better.

The Bowie dress cover did not make the American cut when the album was first released in America in the Fall of 1970.