Album Reviews

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Michael Fremer  |  Sep 02, 2015  |  39 comments
The story that has been handed down through the decades goes like this: Simon and Garfunkel’s vinyl LPs were originally produced using master tapes. Because S&G became so popular, over time the tapes would show signs of wear, so Columbia engineers would make a copy, toss the original, and begin cutting lacquers using the copy.

Michael Fremer  |  Aug 28, 2015  |  9 comments
I’ll tell you how I got into medieval era dance music similar to what’s on this record and on la Spagna: back in 1969 when I worked in the downstairs record store division of Minuteman in Harvard Square, a salesman named Duane who worked upstairs selling audio gear I could not at the time afford, insisted I buy a record on Deutsche Grammophone’s Archive Production label.

Michael Fremer  |  Aug 26, 2015  |  44 comments
Thanks to an analogplanet.com reader I got a copy to review of the two LP deluxe edition of Sticky Fingers (Rolling Stones Records 376-484-4).

Michael Fremer  |  Aug 24, 2015  |  2 comments
Originally released in 1980 on the Swedish BIS label, the double LP la spagna became an instant, certified “audiophile classic”. It was on the late Harry Pearson’s “Super Disc” list since forever, with used copies regularly fetching upwards of $200.

Michael Fremer  |  Aug 12, 2015  |  7 comments
A reader recently asked if analogplanet would review some “heavier” musical material. I pointed out that we reviewed Volto! and The Mars Volta, among other purveyors of heavy guitar-based grooves, but that we’re not locked into bands with volt references. I referenced the Polish prog-metal band Indukti

Michael Fremer  |  Aug 03, 2015  |  28 comments
Long time Gerry Rafferty fans were thrilled for the long-suffering artist when he finally had a hit single under his own name with “Baker Street”, taken from his late ‘70s release City to City.

Michael Fremer  |  Aug 02, 2015  |  21 comments
This Michael Hedges album shook up the guitar playing world in 1984 the way Leo Kottke's 6 and 12 String Guitars had in 1969.

Michael Fremer  |  Jul 30, 2015  |  23 comments
Perhaps it's because "Dino" cultivated a less than serious image as a friendly drunk or perhaps it's because of his long running role as Jerry Lewis's "straight man" in the most successful duo in comedy history, or maybe it was his long running "Dean Martin Celebrity Roast" television show.

Michael Fremer  |  Jul 28, 2015  |  9 comments
1968 was a period of political and musical unrest. Miles was moved by where rock music and culture were going and clearly, he wanted to be part of it.

Michael Fremer  |  Jul 01, 2015  |  7 comments
This minor musical and major sonic gem features the great vibraphonist Gary Burton, Dave Brubeck Quartet drummer Joe Morello (reference only in case you just arrived from outer space) and veteran bassist Joe Benjamin on a jazz session headed by the great Nashville guitarist Hank Garland.

Michael Fremer  |  Jun 29, 2015  |  23 comments
Jerome Sabbagh's The Turn puts his long-running jazz quartet in New York's famed Sear Sound with veteran engineer James Farber at the board. The musicians managed to record to two-track analog tape the more than an hour's worth of music spread over the four sides of this double 180g LP set. That's getting you money's worth from a single studio session.

Michael Fremer  |  Jun 28, 2015  |  28 comments
Taylor Swift’s 1989 released in October of 2014, sold 1.27 million albums in its first week and debuted at #1 on the Billboard Top 200 chart. By the end of the year it had sold 3,660,000 copies, remaining at the top of the chart for most of that time.

Michael Fremer  |  Jun 16, 2015  |  38 comments
The fourth Kinks album was the first on which Ray Davies removes his hard rock shell. It’s clear in retrospect that many artists from the ‘60s rock era were rocking only because that’s what the times demanded.

Michael Fremer  |  May 04, 2015  |  10 comments
The Wichita and Lawrence, Kansas-based Wrong Kata Trio has been playing together since 2010, though the three have been performing in the area for fifteen years.

Michael Fremer  |  Apr 14, 2015  |  11 comments
E.C.’s tenth studio record, released in 1986, is among his finest musically and sonically, which explains why it wasn’t well received on the pop charts. It only went to #39.

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