AAA Vinyl

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Michael Fremer  |  Sep 17, 2020  |  5 comments
There’s no better time than now to release a live performance of Civil War era “lifeline” spirituals dedicated to Harriet Tubman, an escaped slave herself, who is best known as an “Underground Railroad” organizer personally responsible for smuggling to freedom hundreds of slaves, first to the North and then after the passage of the Fugitive Slave Act in 1850 that allowed the recapture of freed slaves in non-slave states, to Canada.

Michael Fremer  |  Sep 09, 2020  |  13 comments
Miles Davis's second collaboration with arranger/orchestrator Gil Evans (and the first recorded in stereo) is arguably the duo's best effort—a majestic, moody re-working of George Gershwin's classic folk opera recorded in three summer of 1958 sessions at Columbia's 30th street studios.

Michael Fremer  |  Sep 09, 2020  |  29 comments
ERC just announced a limited to 150 copies edition of one of the British Columbia Records label's most "sonically spectacular" releases, Ravel's Complete Orchestral Works with André Cluytens conducting Société de Concerts du Conservatiore (ERC061) in performances said to be commensurate with the sonics.

Michael Fremer  |  Sep 03, 2020  |  8 comments
This agreeable set of standards sung by Louis Armstrong backed by the Oscar Peterson Quartet, then consisting of Herb Ellis, Ray Brown and Louis Bellson recorded at the then new Capitol Studios, L.A. in 1957 but not released in stereo until 1959, was a follow-up of sorts to the highly successful Norman Granz-produced Ella & Louis (Verve MGV-4003) recorded August of 1956.

Like this set, there Armstrong and Fitzgerald were backed by the Oscar Peterson Quartet, but with Buddy Rich drumming instead of Louis Bellson.

Malachi Lui  |  Aug 31, 2020  |  19 comments
This year for Record Store Day, I joined the Music Millennium line at 5:40 AM. Because of COVID-19 restrictions, they let 10 customers inside the store at once, and enforced social distancing in line. When the sun rose around 6:00, owner Terry Currier handed out tickets corresponding to our spots in line, with specific time slots to arrive back later and shop. I left and arrived back at 8:15, ultimately going over my expected budget and buying 10 records. I’m still processing the Bowie, Tyler, Clipping, and Ron Carter releases (another RSD-themed Review Explosion of those coming soon), but below are reviews of my other pickups (I also bought a copy of Angel Olsen’s latest album Whole New Mess for a general Vinyl Review Explosion).

Michael Fremer  |  Aug 26, 2020  |  5 comments
Pandemic-related closures temporarily put Blue Note’s “Tone Poet” series production on hold, but the series resumes on August 28th with the release of three titles: vibraphonist Bobby Hutcherson’s first session The Kicker (1963), alto saxophonist Jackie McLean’s It’s Time (1964) and tenor saxophonist Joe Henderson’s The State of the Tenor: Live at the Village Vanguard, Volume 1 (1965).

Michael Fremer  |  Aug 20, 2020  |  30 comments
Arriving October 16th in multiple formats and configurations, Wildflowers & All the Rest features the original 1994 Wildflowers album, newly re-mastered and cut directly from the original ½” analog master tapes by Chris Bellman at Bernie Grundman Mastering and pressed at Record Industry in The Netherlands, plus unreleased tracks, solo demos, live performances, alternate versions and more—many of which were sourced from analog tape but then of necessity digitized..

Michael Fremer  |  Aug 17, 2020  |  27 comments
Verve/UMe announced today the October 9th release of its second round of Audiophile Vinyl Reissue Series/ Acoustic Sounds pressings of two essential John Coltrane albums: A Love Supreme and Ballads, both in stereo, cut using the original analog master tapes. Deluxe laminated Stoughton Press Tip-On gatefold jackets complete the "must have" release.
Michael Fremer  |  Aug 05, 2020  |  23 comments
(Review Explosion is usually a recurring AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Normally curated by AnalogPlanet contributing editor Malachi Lui, this particular Review Explosion has been hijacked by AnalogPlanet editor Michael Fremer and covers in capsule form Direct-to-Disc releases).

Michael Fremer  |  Jul 28, 2020  |  13 comments
This previously unreleased March 9th 1959 session recorded at Rudy Van Gelder’s Hackensack home studio is a “must have” for Blue Note “completists”, especially for those with an affinity for car and plane crash videos. If you are just getting into the rich Blue Note catalog, your money is best spent elsewhere as this session, despite the stellar group, often sounds listless and forced. Grooves get glossed over in favor of speed.

Michael Fremer  |  Jul 24, 2020  |  7 comments
Suave, swinging and exuberant, Michael Weiss’s self-produced Soul Journey sounds something like a big band playing on a Blue Note Records date, but it’s really a small ensemble making like a big one thanks to Weiss’s deft, harmonically-rich, rhythmically neck-snapping arrangements and free-spirited yet tightly drawn, well-meshed performances by the three man veteran horn section of saxophonist Steve Wilson, trumpet and flugelhorn player Ryan Kisor and trombonist Steve Davis.

Michael Fremer  |  Jul 23, 2020  |  14 comments
Rhino will release on September 4th two new early Fleetwood Mac box sets: an 8 CD set Fleetwood Mac 1969-1974 that includes 7 studio albums plus an unreleased 1974 concert, and two versions of an all analog 4 LP+ 7" single set cut from the original master tapes by Chris Bellman at Bernie Grundman Mastering.

Michael Fremer  |  Jul 03, 2020  |  47 comments
What better time than during a period of self-isolation and social distancing could there be to explore Bach’s “Suites For Unaccompanied Cello”? Arguably, there’s no finer recorded performances than the ones Janos Starker performed for Mercury Records April 15 and 17, 1963, September 7-8, 1965 and December 21-22, 1965 (though some may prefer other performances by Casals, Rostropovich, Yo-Yo-Ma, etc.). I'm not here to argue with you. The finest version of these historic recordings, is without a doubt, this latest one from Analogue Productions and the sound is unassailable.

Michael Fremer  |  Jun 24, 2020  |  16 comments
Billed by his label as a “long lost masterpiece by Neil Young”, referred to by fans as “one of Young’s mysterious, great ‘lost albums’” and described by Young himself as “the one that got away”, Homegrown was recorded mostly between late 1974 and early ’75, with one track from late spring ‘74 and another from late summer of that year.

Michael Fremer  |  Jun 18, 2020  |  14 comments
The Electric Recording Company announced yesterday it was preparing its reissue of Shostakovich's Symphony No.13:Babi Yar with André Previn conducting the LSO/Dimiter Petkov bass, with the London Symphony Chorus.Words by Yevtushenko

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