AAA Vinyl

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Michael Fremer  |  Nov 23, 2016  |  42 comments
Sir Simon Rattle conducts Brahms: The Berlin Philharmonic performs the four Brahms symphonies conducted by Rattle and recorded live at the Berlin Philharmonie direct to disc September, 2014 using a One-Point microphone set-up.

Michael Fremer  |  Nov 20, 2016  |  20 comments
By now you know the drill: The Electric Recording Company finds a collectible and music-worthy title to reissue and does its fanatical-attention-to-details thing, both in the mastering from the original tape on a lovingly restored all-tube cutting system to a meticulously produced record sleeve and jacket that are in most ways difficult to distinguish from the original as described in previous ERC reviews.

Michael Fremer  |  Nov 14, 2016  |  8 comments
Three years before he passed away in 1983 at age 60 from lung cancer, a somewhat diminished Johnny Hartman entered Ben Rizzi's Master Sound Productions in the small Long Island 'burb of Franklin Square and recorded this album for the small Bee Hive label. It would be his next to final appearance on record, and one that earned him a "Best Male Jazz Vocalist" Grammy Nomination.

Michael Fremer  |  Nov 10, 2016  |  86 comments
Before you pay $100 for any record you have to ask yourself if you really like the music, right? Then the question becomes is this version that much better than the one you already have, assuming you already have one.

Michael Fremer  |  Oct 26, 2016  |  15 comments
Recording direct-to-disk is difficult enough. The entire side has to be cut in one long take. Consider a big band vocal album like this, which has four songs per side. The orchestra and singer have to be ready as soon as the cutting stylus hits the lacquer and then they have to perform flawlessly on each track, pausing but a few seconds between songs.

Michael Fremer  |  Oct 25, 2016  |  18 comments
In a cross-label move similar to the Stones stereo box sets from ABKCO and UMe, Tom Petty's complete vinyl catalog will be issued in two 180gram box sets: one featuring his MCA output (1976-1991) and one covering his later Warner Brothers catalog (1994-2014).

Michael Fremer  |  Oct 18, 2016  |  18 comments
Best known to American Miles Davis fans as side one of the twelve inch Columbia Records LP release Jazz Track (CL1268), Ascenseur pour l’échafaud (“Elevator to the Scaffold”), the jazz soundtrack to the Louis Malle film was originally released in France in 1958 on the Fontana label as a 10” LP.

Michael Fremer  |  Oct 18, 2016  |  25 comments
A "Kinks in Mono" box set is due for release overseas shortly and in America on December 16th.

Michael Fremer  |  Oct 15, 2016  |  14 comments
Originally released as a double LP back in 1956, Ella Fitzerald Sings the Cole Porter Song Book was both the first of her "songbook" albums and the first release on Norman Granz's then brand new Verve Records (MG V-4001/2).

Michael Fremer  |  Oct 02, 2016  |  30 comments
One of the great albums of the 1960s—for me an essential album— gets the double 45rpm treatment from Mobile Fidelity. Rhino reissued this a few years ago mastered by Chris Bellman and Bernie Grundman Mastering from the original tape.

Michael Fremer  |  Oct 02, 2016  |  1 comments
Jamaican-born pianist Monty Alexander still tours at age seventy two. He was but thirty two when this live album was recorded at The Montreux Jazz Festival.

Michael Fremer  |  Sep 09, 2016  |  24 comments
Analogue Productions recently completed one of the major reissue projects in modern vinyl playback history with the release of the final eight Beach Boys albums in both mono and stereo.

Michael Fremer  |  Aug 11, 2016  |  4 comments
The German MPS label has just released five excellent jazz albums originally released in the early 1970s under the supervision of noted German audio journalist and record producer Dirk Sommer. All have been mastered AAA from the original master tapes by mastering engineer Christoph Stickel, who was responsible for the Oscar Peterson box set Exclusively For My Friends.

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