LATEST ADDITIONS

Thorens today announced two new turntables: the TD1500 and the TD403. The 1500 takes its design cues from the iconic TD 150 introduced in 1965 that according to Thorens's press release featured for the first time in a mass produced turntable a spring suspended sub-chassis with a flat belt driven inner platter. However, the AR-XA introduced in 1961 had this design feature and sold 100s of 1000s so must be considered "mass produced". The TD403 is the "big brother" of the recently introduced TD 402.

In December 1965, Sam Charters (1929-2015) went to Chicago to record Blues musicians who were playing in the clubs of the Black neighborhoods on the south and west sides. Charters, a white man, had written "The Country Blues" published in 1959. It was the first book about rural blues and while it contained many factual inaccuracies, it was entertaining romantic storytelling and helped foster the interest of young White folk fans in acoustic Blues. The glaring failing of "The Country Blues" was Charters’ insistence that “real blues” was dead, that Lightnin’ Hopkins was the last living blues singer (!), that postwar electric Blues was diluted, crude, loud, monotonous and that, “The blues have almost been pushed out of the picture and the singers who have survived at all have had to change their style until they sound enough like rock and roll performers to pass with the teenage audience.” Opinionated, though he may have been, Charters remained open minded and observant and within a few years, realized that the music being played in the small bars in the Black neighborhoods of Chicago was an urban, modernized version of the rural southern blues he admired so much and served the same social purpose for its audience. 

The Enigmatic Foe’s new album The Original Plan (S/R) offers up contemporary rock and roll in the vein of Real Estate with other jangle pop influences, including distant echoes of primordial U2 with some mid-80s leanings via occasional electronic drums and synth-pop production. Tight, yet airy, the band creates a satisfactory wall of sound - mostly via the shimmering guitars of Josh Dooley (Map, Fine China) and Jared Colinger. Colinger - writer, guitarist and vocalist of the group - explains the topical nature of his tunes, “Sometimes we go to great lengths to be miserable and stay miserable. I once heard a story about a musician who purposely created strife with their spouse to have song fodder. I certainly thrive on creating songs out of misery. Anything else outside that topic seems a novelty.” Colinger, however, camouflages these sorrows with chipper, sparkly production and plenty of guitar chime. Frank Lenz’s (Headphones, Richard Swift) drumming provides a tight, propulsive groove to the whole affair.

This gets complicated so please bear with me: days after the January 8th, 2011 politically motivated shooting that took the lives of six people and injured nineteen others including Congresswoman Gabrielle Giffords, members of the Tucson, AZ community formed an organization called Luz de Vida (Light of Life) to benefit survivors. More than $20,000 was raised to help victims and their families.