LATEST ADDITIONS

Michael Fremer  |  Nov 26, 2019  |  6 comments
I'd be surprised if someone at UMe didn't look at the success of Blue Note's "Tone Poet" series and say to themselves "maybe the way to launch a Motown reissue series is to do it with the highest possible quality" because Motown/ UMe's new 5 LP Motown mono series duplicates in every way Blue Note's "Tone Poet" series: Kevin Gray cut from mono master tapes, RTI plated and pressed on 180g vinyl and the records are packaged in Stoughton tip on jackets.

Michael Fremer  |  Nov 25, 2019  |  17 comments
Ever since the publication of The Beatles, The Singles Collection box set review, it's been gnawing at me. I went into this hoping and expecting the new set to better or at least equal the older set but that clearly was not the case. However, it's also true that had I not had the World box with which to compare the new box, I'd probably not have been so negative. Nonetheless, the second and more complete listen confirmed the initial conclusion that the new box sonically disappoints.

Michael Fremer  |  Nov 23, 2019  |  7 comments
Intervention's reissue of Gene Clark's classic White Light sold out, but it's currently being re-pressed and the company is taking orders. Don't miss out the second time!
Michael Fremer  |  Nov 23, 2019  |  0 comments
This is great news! On December 27th Motown/UMe will release 5 mono Motown albums cut by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl and packaged in deluxe Stoughton tip-on jackets. The titles are: The Miracles' You've Really Got A Hold On Me (1963), The Temptations' (1965), The Four Tops' Reach Out (1967), Diana Ross & The Supremes' Reflections (1968), And The Marvelettes' Sophisticated Soul (1968).

Michael Fremer  |  Nov 23, 2019  |  0 comments
Craft Records just announced three all-analog reissues cut from original tape by Kevin Gray: (Chet Baker Sings) It Could Happen to You, originally released in 1958 on Riverside, Willie Colon's Asalto Navideño a 1971 Christmas album originally released on Fania, and Buffy Sainte-Marie's Illuminations a Vanguard release from 1969 that's achieved "cult" status due to its early use of synthesizers to produce an eerie backdrop.
Michael Fremer  |  Nov 20, 2019  |  29 comments
Hermann Thorens founded his company in 1883 to manufacture music boxes in Switzerland. Cylinder-based phonograph manufacturing began around the turn of the century. In 1956 the company introduced the TD-124—the company’s first high performance turntable and one that among collectors is still in demand. The company moved to Germany in 1966 and merged with EMT. The classic TD-125 followed in 1968.

Malachi Lui  |  Nov 20, 2019  |  9 comments
(Review Explosion is a new AnalogPlanet feature covering recent releases for which we either don’t have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion will focus on the previous few weeks' new releases as well as archival titles and reissues.)

Michael Fremer  |  Nov 19, 2019  |  23 comments
I have been assured by co-producer Guy Hayden that this 45rpm box was cut directly from TAPE and that whatever transfers were done (hence the credit) was done as they were for the AAA mono album box, to use as a reference before actual cutting in order to preserve the tapes.
Michael Fremer  |  Nov 18, 2019  |  7 comments
Cleveland, Ohio based Gotta Groove Records pressing plant just sent out an e-survey to its customer base and invite analogPlanet readers to toss in their $29.99 or two-cents. They've already received 2400 responses in a little over a day.

Michael Fremer  |  Nov 17, 2019  |  16 comments
Though you could argue that Bayou Country containing "Proud Mary" and "Born on the Bayou" was a better album, I'm going with Green River as a stronger, more consistent overall album (you remember albums, don't you?), which also had some hits like "Bad Moon Rising" (with it's refrain "there's a bathroom on the right"), "Lodi", which at the time made me wonder why Fogerty was writing about New Jersey and of course the title tune. In retrospect, despite the New Orleans musical setting, much of what Fogerty wrote was about his life growing up in Berkeley, Calfornia. But I digress.

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