LATEST ADDITIONS

Analog Planet Staff  |  Oct 04, 2021  |  500 comments
Register to win one of two Rhino Déjà vu 50th Anniversary Deluxe D2C Vinyl Editions (value $250.00 each), or a limited edition 16"x20" Henry Diltz photo signed by all four members of CSNY (value: $1,500/priceless) we are giving away.

According to Rhino:

"Presented as a 5 LP set in a beautiful box with a 12 x 12 softcover book, the collection comes illustrated with rarely seen photos from the era and annotated by writer/filmmaker Cameron Crowe, whose revealing liner notes recount the making of the album through stories told by the people who were there, including David Crosby, Stephen Stills, Graham Nash, and Neil Young."

[This Sweepstakes is now Closed.]

Malachi Lui  |  Oct 03, 2021  |  25 comments
(Review Explosion is a recurring AnalogPlanet feature covering recent releases for which we either don't have sufficient time to fully explore, or that are not worthy of it. Curated by AnalogPlanet contributing editor Malachi Lui, Review Explosion focuses on the previous few months' new releases. This particular Review Explosion discusses four Vinyl Me, Please releases from June-September 2021.)

Michael Fremer  |  Oct 01, 2021  |  16 comments
The gentle, introspective Bill Evans Trio of The Village Vanguard sessions that produced Sunday At the Village Vanguard and Waltz For Debby yielded two years later to the somewhat more rhythmically assertive trio heard on this December 18th, 1963 Webster Hall recording released early in 1964.

The late bassist Scott LaFaro’s friend Gary Peacock replaced him in the trio with Paul Motian continuing on drums. Though no less cerebral and harmonically tuned in than was LaFaro, Peacock brought to the group a faster, more aggressive rhythmic style punctuated with nimble staccato runs. More tapping of the toes and less tugging at the heart.

Michael Fremer  |  Oct 01, 2021  |  4 comments
Ortofon launched on a September 30th Facebook video the company's new MC Verismo cartridge. The previous day Ortofon's Leif Johannsen participated in a ZOOM interview with AnalogPlanet editor Michael Fremer and discussed the design and features of the new MC Verismo cartridge.

Michael Fremer  |  Sep 30, 2021  |  2 comments
Ortofon today in a Facebook video announced a new moving coil cartridge called Verismo. I've had it here for a few days and tomorrow will post an exclusive video interview I conducted with Ortofon's Chief Officer of Acoustics and Technology Leif Johannsen, who is responsible for the design.

Nathan Zeller  |  Sep 30, 2021  |  1 comments
The original McCartney III disappointed. Overall, I felt it was musically and lyrically weak. Fellow analogPlanet reviewers agreed, though those opinions were expressed in private communications and not published on the site. Then, on March 22nd, Paul McCartney announced McCartney III Imagined, where artists including Beck, Dominic Fike, Khruangbin, St. Vincent, Blood Orange, Phoebe Bridgers, EOB, Damon Albarn, Joshua Homme, Anderson .Paak, 3D RDN, and Idris Elba cover or remix original McCartney III tracks. McCartney himself handpicked the selections, taking a second crack at his self-titled trilogy’s third installment, though it seems he’ll require another layer of polish before this record rivals its predecessors. The old saying rings true; the third time’s the charm, and unfortunately McCartney III Imagined is merely the second.

Malachi Lui  |  Sep 30, 2021  |  15 comments
Two years ago, I wrote a feature about the worst music ever, saying, “Some [bad music] is so awful that we can’t help but listen and laugh.” Our readers agreed. Of course, I left the initial list incomplete; there’s too much (mostly) hilariously awful music to consume it all at once. Now, I’ll torture myself (inviting you to join in) with more sonic excrement, excluding material I’ve previously reviewed. Let the fun resume!

Michael Fremer  |  Sep 29, 2021  |  19 comments
The Yardbirds original "Shapes of Things" took the protest song—a surprising departure from the group's blues-based output— as a smartly rendered military march with mild middle eastern undertones. Jeff Beck played on the original but here for his first solo outing he led with a slinky, heavily syncopated version that presaged by a few years Led Zep's heaviest of metal. The song's conclusion, a rhythmic meltdown to a complete stop was something altogether new to rock fans. Needless to say, back in 1968 buyers of this record had minds blown, in part thanks to the great Ken Scott's impeccable engineering skills and of course by much of the world's first exposure to Rod Stewart.

Malachi Lui  |  Sep 26, 2021  |  4 comments
(Vinyl Reports is an AnalogPlanet feature aiming to create a definitive guide to vinyl LPs. Here, we talk about sound quality, LP packaging, music, and the overarching vinyl experience.)

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