The Wand Plus 9.5-inch tonearm, as designed by Simon Brown, follows an aesthetic departure in tonearm design. Its imposing silhouette — a sharply truncated, horizontally oriented cylinder finished in a somber gray — evokes an industrial elegance reminiscent of high-end, minimalist architecture. Read Ken Micallef’s review to see just how well The Wand arm performs as a member of the just-under-$2K price class. . .
With all due respect to Gem Dandy’s new PolyTable Signature “layer cake” of a “two tiered” turntable, the bigger news here is the Sorane TA-1L tonearm George Merrill chose to package with his new turntable. Why is the Sorane news? Because it’s the possible successor to now defunct Jelco. But first, the new $2995 (not including arm) turntable, which, for sure, is also news.
The all-in-one turntable market has one gargantuan issue looming over it: the Crosley Cruiser. With everything an analog neophyte thinks he or she needs, these $70 “turntables” sell by the boatload, only to seriously damage records after but a few plays with their five grams of tracking force. Why are they so popular then? Because they’re small, inexpensive and the purchaser doesn’t have to think about piecing together an entire system; it’s right in front of them. Even so, it still feels extremely wrong to spend $100 on a vinyl box set and subject it to the evils of a $70 turntable.
Best known for its sexy looking Delphi turntable first introduced in 1979 and currently in its MK VI iteration ($8850), Canada-based Oracle Audio recently updated its lowest priced Origine turntable to MKII status.
The upgraded version includes a new “wall-wart” powered 16V AC synchronous motor (the original was 24V AC—customers with that motor can get a free upgrade, paying for shipping one way) and a new silicon damped cueing mechanism replacing the original’s “direct action” cueing system (which for original Origine owners can be upgraded for $85). It uses a knob rather than a traditional lever, that you turn to raise and lower the arm.
The amount of faux "controversy" surrounding the 10" arm Technics will supply with its upcoming SL-1000R turntable bordered on the absurd. Much of it centered on the pivot to spindle distance and effective length. It all began when the 'table arrived and the spec sheet listed the effective length as 239mm. That didn't make sense to me because that would be the effective length of a 9" arm!
Shortly after the conclusion of the 2018 International Consumer Electronics Show, Technics CTO/Chief Engineer Tetsuya (Tony) Itan, Yoshiyuki Sumida, Assistant Manager Technics Team, and Technics Business Development Manager Bill Voss brought over and installed the new Technics SL-1000R turntable and tone arm for a week's stay. While this was a pre-production sample and not suitable for a full review, I thought you would be interested in first impressions that is not a review.
Editor's note: AnalogPlanet (and Stereophile) policy is to review products as sent to us unless they are broken and/or clearly defective. In this case the speed was "off" but the 'table was neither "broken" nor "defective" so we chose to review "as sent".
The importer wrote to say the unit was sent with "the wrong pulley" and as stated in the review, we allowed for the possibility that the 'table had been previously used for reviews or for some other purpose. However, without trying to sound too harsh, if you're going to send out a product for review, it's important to check out its functioning before shipping and that would include making sure it's running at the right speed.
As the importer points out, the Kid Thomas previously reviewed ran at the correct speed but clearly this one did not and it was what was sent so there was an obligation to review "as sent" just as there was an obligation to ship a properly functioning review sample! I know this might sound "harsh" but I'm always thinking of the consumer who buys and uses without checking speed accuracy and ends up listening at the wrong speed.
AnalogPlanet readers' thoughts on this are most welcome.
The original Technics SL-1200 direct drive turntable introduced in 1972 enjoyed a thirty-eight year, six generation run. Technics sold more than 3.5 million of them. In October of 2010 just as vinyl was staging its unlikely comeback, parent company Panasonic pulled the plug on the SL-1200 Mk6.
VPI just announced a new, easy to accomplish modification for its full line of 3D printed arms that turns the unipivot into a dual pivot design that creates a fully stable arm that fully eliminates "wobble".
For vinyl lovers, it’s important to know that Wilson-Benesch first began in 1989 as a start-up dedicated to building a turntable simply because it felt vinyl was a superior medium compared to CD. For that reason alone, the company should be venerated. W-B argued that new, emerging technologies like carbon fiber could further elevate vinyl playback.
No one has ever accused Franc Kuzma of designing glamorous audio jewelry. His turntables and tonearms are industrial strength examples of engineering know-how and machining excellence.
For those appreciative of such things his products are truly beautiful—even if they are not festooned with chrome, wood and sleekly polished surfaces.
Trends in turntable design shift back and forth over time, each "advance" turning out to be a mostly sideways move. Over its long history, VPI's founder and designer, Harry Weisfeld, has moved the analog goalposts back and forth as he's refined his thinking. His early turntables were mostly standard spring-suspension designs of normal size. By the time Weisfeld produced his fully tricked-out TNT model, which was originally designed to stably hold the heavy moving mass of Eminent Technology's ET2 air-bearing arm, he'd moved to a massive, oversized, sandwiched plinth with isolating feet at the corners. He first used springs and, later, air bladders originally designed to cushion a tractor-trailer's load, and which he'd found in a trucker's supply catalog. Via an O-ring, the TNT's outboard motor drove one of three pulleys that protruded from holes in the plinth, and attached to a T-shaped subchassis that, in turn, drove the other two pulleys via two additional O-rings.
No one has ever accused Franc Kuzma of designing glamorous audio jewelry. His turntables and tonearms are industrial-strength examples of engineering know-how and machining excellence. But to those who appreciate such things, his products are truly beautiful, even if they're not adorned with chrome, wood, and sleekly polished surfaces. And if looking at the 4Point tonearm ($6500) in pebbly Darth Vader black doesn't get your analog juices flowing, perhaps its innovative design will. But first, this message: