AAA Vinyl

And this is how you do it correctly!: Supervised by the ZFT, the record was specially mastered for this release by Bernie Grundman with all analog production and cut directly from the 1970 ¼” stereo safety master tape in 2018.

Buddy Holly's last album before "the day the music died" released in 1958 belongs in every rock-based record collection. It's not even a close call. And this reissue sourced from the original analog tapes still in superb condition and cut by Kevin Gray is by far the best sounding edition ever.

It takes nerves of steel and a healthy serving of humility to agree to record direct-to-disc a solo piano recital but that's what Katie Mahan signed on for here. The results are both musically and sonically rewarding. Mahan gave her first piano recital at age 6, having decided at age 4 that she wanted to be a concert pianist after attending a performance of Gershwin's "American in Paris". From her online bio:

Saxophonist Jerome Sabbagh's 2014 Kickstarter funded release The Turn was a musical and sonic success. It got great reviews here, in the Boston Globe, Stereophile and the L.A. Times. Now Sabbagh is back with another Kickstarter funded project but this time instead of recording analog and cutting from digital because of the extra expenses involved, he's going for an all-analog production.

What a voice, what a loss. Dolores O'Riordan, lead singer of the Irish group The Cranberries died suddenly in London January 15th, 2018 at age 46. She was in town for a recording session.

O'Riordan wrote lyrics and on some of the group's songs, the music as well, including three on this, the group's 1993 debut album. She also wrote music and lyrics on probably the group's best known song "Zombie"—her reaction to terrorist bombings by the Irish Republican Army—which is not on this album.

Beginning in the late ‘70s, continuing throughout the 1980s and once in 1994 Wilson Audio Specialties founder Dave Wilson released a series of records that he co-produced with wife Sheryl Lee, many of which he also engineered. They were minimally miked—often a spaced pair of Schoeps was all—and mastered by an all-star lineup of disc cutters including Bruce Leek (who also shared engineering credit on some), Stan Ricker and Doug Sax (Google if any of the names are unfamiliar). The tape machine for all but the very early organ record Recital (Wilson W-278) was an Ultramaster™ by John Curl, a highly modified Studer 1/2" deck running at 30 IPS.