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A heavenly pairing of Bacharach's suburban pop melodic intent and Costello's insightful lyrics that well-capture the required Bacharach late afternoon bedroom melodrama produced this 1998 gem of a soap operatic collaboration.

Charles Lloyd's young group, together but a year, played this set September 8th 1966 at the Monterey Jazz Festival, opening with the title tune—actually the two-in-one "Forest Flower-Sunrise" and "Forest Flower-Sunset", both lilting, hypnotic and mesmerizing "hippie-like" tunes that presaged in its mood the next year's "Summer of Love" Monterey Pop Festival.

With its compilation-like title, black and white cover art and wide ranging artists roster, The Sound of Jazz, originally issued in 1958, is often confused with one of Columbia Records' early stereo sampler albums.

While a great deal of attention rightly gets paid to Bill Evans' legendary Village Vanguard recordings early in his career, this superb set recorded in Paris, France shortly before his passing is equally worthy both musically and sonically.

When The Crickets' "That'll Be the Day" exploded on the radio in 1957 and the absolutely geeky looking 21 year old Buddy Holly and group appeared December 1st on The Ed Sullivan Show, a generation of kids were moved the way the next one was by The Beatles. You didn't have to look like Elvis. Anyone could be a rock'n'roll star. In fact, "That'll Be the Day" was the first demo cut by The Quarrymen, the skiffle group that eventually morphed into The Beatles.

A group of determined fans of both the Blue Note jazz catalog and the Music Matters reissues, which are always done from tape and done correctly recently started a drive to convince the label to issue more of Blue Notes after the label apparently decided it had released a sufficient number.

The file labels were not reversed in this story!