Seeing the superb documentary “What Happened, Miss Simone” isn’t mandatory but you’ll so much more enjoy this astonishing debut album recorded in 1957 (but not released until 1959) that it’s highly recommended, especially if you have Netflix. You’ll sit transfixed by this exceptional woman’s remarkable and often tragic life story.
If you go into this ambitious acoustic Led Zeppelin covers project hard wired for Robert Plant and Jimmy Page you’re probably bound for disappointment but if you just relax into it, you might be pleasantly surprised by what you see in your mind’s eye. You’ll surely like what the production brings to your ears.
The new subscription-based vinyl-only label Newvelle Records has given analogplanet.com permission to post this video with audio sourced from "Return" Jack DeJohnette's first solo piano record and the label's latest release.
At this point in his life and career, Eric Clapton has nothing to prove to anyone but himself. He’s gone from being called God on now famous graffiti that embarrassed him but others found justified, to later being called a snooze during a stretch of less than inspiring records and perhaps overexposure.
Taking a break from High End Munich coverage of which there's a lot more, brings me to Analog Spark's recent reissue of Bernstein Conducts Rhapsody in Blue/American In Paris (Columbia MS 6091).
The release blurb for Eric Clapton's new Glyn Johns produced and engineered record has left some readers confused about the source. Bob Ludwig clears it up.
Analog Spark, a Razor and Tie imprint headed by Mark Piro just announced some great upcoming AAA releases headlined by the iconic Bernstein/NYP recording of "Rhapsody in Blue" and "An American in Paris" cut by Ryan K. Smith using for the first time the original three track master tape.
“Too expensive to record to analog tape” we often hear from major label representatives, from producers and from artists. And there are those who don’t think the sonics are better or as good as ProTools.
Groove Note's Ying Tan handed me a surprise at the conclusion of my visit to Bernie Grunman's: a two sided lacquer containing selections from the upcoming Vanessa Fernandez triple 45rpm AAA LP set.
In 1973 the late guitarist, music historian, fanatical record collector and audiophile John Fahey recorded for Reprise Records the album "After the Ball" (MS 2145)—an album of original and "period" pieces including this track: New Orleans Shuffle by the pianist Bill Whitmore, originally recorded in 1925 by The Halfway House Orchestra.