AAA Vinyl

* (Not now convinced these were cut from tape).The Beatles just announced The Beatles: The Singles Collection, a limited edition, collectible box set containing 23 180-gram vinyl singles cut by Sean Magee from the original mono and stereo singles mix tapes. Between 1962 and 1970 The Beatles released 22 singles. Of the 44 A and B sides, 29 were not included on the group's British albums—singles were usually omitted in Britain, though the released albums contained more tracks than were issued per album in The United States (you probably already knew that!).

If you'd have told me a few years ago when Vinyl Me, Please launched, that within a few years the curated based vinyl subscription service would be at the top of the vinyl reissue heap, I'd have said you've been inhaling too many PVC fumes. But here we are with a vinyl reissue that's perfect in every way.

Following a turbulent decade battling personal demons in the 1950s, tenor saxophonist Dexter Gordon had mostly faded from the jazz scene by the end of that decade; after all, he only recorded three sessions (two of which he led) in the second half of it. By 1961, however, he began a successful relationship with Blue Note that commenced that year with Doin’ Allright. The Los Angeles-native moved back to New York City for the third time, got rediscovered by jazz listeners, and led a quintet on this album that included Freddie Hubbard on trumpet, Horace Parlan on piano, George Tucker on Bass, and Al Harewood on drums.

Wouldn’t pairing a highly talented bluesman with one of the best house bands in the world result in a great record?

Despite recording a handful of legendary Paramount Records sides in 1930, Eddie James “Son” House, Jr. vanished after his rediscovery in August 1941 by Alan Lomax. His recordings gained stature over the ensuing decades, which in 1964 lead Dick Waterman, Nick Perls, and Phil Spiro on a mission to find House. They eventually located him that June in Rochester, New York, approximately 1,000 miles from his origins in the Mississippi Delta. Following his migration, House worked as a New York Central Railroad porter, killed a man in self-defense, and perhaps most importantly in the context of this review, put down his Dobro after the death of close friend and fellow bluesman Willie Brown. However, the younger generation’s enthusiasm for House’s original recordings reinvigorated his desire to play, which he then did for the first time in seven or eight (according to the liner notes) years.