Interviews

Ian Hunter is a survivor. Not only that, but the veteran British vocalist of Mott the Hoople fame and a lengthy and fruitful solo career shows no signs of slowing down at age 83. The keen evidence laid out before us are the ten balls-out rockers populating his latest solo album, Defiance Part 1, released via Blue Cat/Sun Records on April 21 on black vinyl. In a recent Zoom audio interview with AP editor Mike Mettler, Hunter discusses what he means by recording his music “back to front,” why Mott the Hoople’s version of “All the Young Dudes” endures to this day, and how Jerry Lee Lewis first got his juices a-goin’ to become a killer performer and recording artist. Don’t be shy — read on to get fully bitten by the Hunter mystique on vinyl. . .

Jethro Tull’s Ian Anderson has been on a deeply entrenched spiritual quest of late. On Tull’s latest and 23rd studio album overall, RökFlöte, which was released on vinyl via InsideOut Music on April 21, he addresses the tenets of Norse paganism. In a recent Zoom interview with AP editor Mike Mettler, Jethro Tull’s once and future leader discusses the inner workings of RökFlöte, when he finally felt like Jethro Tull had gotten the right mix of their music on vinyl, and how the act of breathing is vitally important when it comes to both his singing and his flute playing. Read on to glean all of Ian Anderson’s earthly vinyl proclivities. . .

The Flaming Lips are one of those bands that have always endeavored to create their own sonic universe, and we almost never know exactly what planet we’ll be on when we drop the needle on their latest vinyl venture and/or most recent archival collection. Case in point — the 180g 5LP baby-pink vinyl box set for July 2002’s Yoshimi Battle the Pink Robots being released (finally!) on April 14, a collection that includes the remastered core album, demos, non-album tracks, live radio sessions, and many other live tracks galore. In a recent Zoom interview with AP editor Mike Mettler, Flaming Lips visionary vocalist Wayne Coyne discusses the ins and outs of the making of the Yoshimi vinyl box set, how the word “realize” became such an integral part of the band’s songwriting, and how a few hundred test tapes fueled the beginning and the end of one of the album’s most enduring songs. Read on to realize all the LP-related Yoshimi details. . .

Blood, Sweat & Tears were on top of the world — and then, suddenly, they weren’t. A new documentary titled What the Hell Happened to Blood, Sweat & Tears? seeks to set the record straight. Read on to see what BS&T co-founding drummer Bobby Colomby and AP editor Mike Mettler discussed when they got on Zoom together earlier this week to talk about the impetus for the documentary, the secrets contained within the runout grooves of certain records he produced, and his view of what the best-sounding Blood, Sweat & Tears track on vinyl is, and why. . .

David Crosby has the voice of an angel. Not only can you hear his distinctive vocal tone coming across pure and true all throughout his most recent studio album, For Free — one of AnalogPlanet’s Top New LP Releases of 2022, in fact — but you can hear his long-entrenched instinct for beautifully layered harmonies on David Crosby & The Lighthouse Band’s Live at the Capitol Theatre, currently available in a 1CD/1DVD package via BMG, but (hopefully) coming soon on vinyl. Croz got on the line with AP editor Mike Mettler to discuss the importance of overtones all throughout his recording career, why having Miles Davis cover one of his most heartfelt songs is a career highlight, and why his very first solo album — February 1971’s If I Could Only Remember My Name — remains an audiophile benchmark LP to this very day — and, of course, much, much more. . .

All I want for Christmas is . . . more vinyl. Just ask Smithereens drummer Dennis Diken, who got his first real taste for wax during Christmas as a wee lad, when he received a literal cavalcade of 45s under the tree. In the spirit of the season, Smithereens vinyl fans can rejoice with the news that the four-man New Jersey-bred band’s October 2007 holiday-themed album Christmas With The Smithereens is out now in limited-edition 140g 1LP form, courtesy of Sunset Blvd. Records. Diken got on Zoom with AP editor Mike Mettler recently to discuss all those special 45s he got for Christmas back in 1962, the fine art of album sequencing, and why having Smithereens music on vinyl remains vitally important to the band’s legacy. . .

Bryan Adams is a consummate and restless performer, so when the lockdown happened, he got right down to work in his home studio to keep himself busy. Not only did he come up with an album of all-new material — March 2022’s So Happy It Hurts, a 180g 1LP offering via BMG — but he also took a long, hard look at the four-plus decades of his recording career and decided to recut over a dozen of his favorite tracks under the umbrella of Classic. Initially, these classic Adams songs, with all the vocals sung anew and essentially all the instrumentation played by the man himself, were released digitally in two increments as Classic and Classic Pt. II, and they will soon enough be combined into a 180g 2LP set in January 2023. Adams got on Zoom with AP editor Mike Mettler to discuss why he not-so-secretly always wanted to be a drummer, why vinyl remains such an important touchstone to him to this day, and what songs of his might make the cut for the next installment of Classic — and, of course, much, much more. . .