Album Reviews

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Mark Smotroff  |  Nov 07, 2022  |  3 comments

Trumpet legend Dizzy Gillespie collaborated with Cuban percussionist Chico O’Farrill on Afro, a fantastic Afro-Cuban hybrid-genre jazz album in 1954 that’s been out of print for ages — until now, that is. Afro has just been reissued in fine 180g 1LP form by Vinyl Me Please (VMP), and the results are quite exhilarating overall. Read Mark Smotroff’s review to find out why Afro belongs in your collection. . .

Michael Fremer  |  Jul 06, 2019  |  19 comments
After calming down following the original Birth of the Cool review I took a deep breath and listened again. What's more i realized I had two more versions of the record: a Dutch Odeon pressing (lime green Capitol label) from 1972 (5C052 80 798) with a different cover that you can pick up on Discogs for a few bucks, and a mysterious one from I believe a German label called Good Buy (Good Buy 2 F 671045) released around the same time as Classic's, which remains the best sounding available and so costs well over $100 on Discogs.

Michael Fremer  |  May 01, 2006  |  0 comments

The Who recorded their “sell out” concept album in the fall of 1967 at around the same time Frank Zappa and the Mothers of Invention were in the studio creating We’re Only In It For The Money. Coincidence? Collusion? A general feeling among like-minded rock cognoscenti that rock musicians were getting self-righteous, self-absorbed and that after all it’s only rock’n’roll?

Mark Smotroff  |  Jun 08, 2023  |  6 comments

How can an album that has been included in numerous greatest albums of all time lists made by an artist inducted into the Grammy Hall of Fame remain so elusive that its original pressings are still in high demand? Luckily, Craft Recordings has made that point somewhat moot by releasing an all-analog 180g reissue of Albert King’s seminal August 1967 LP Born Under A Bad Sign. Read Mark Smotroff’s review to see why this new Craft edition is an absolutely essential addition to your blues LP listening collection. . .

Michael Fremer  |  Jan 01, 2009  |  0 comments

This band of British rock and roll survivors led by David Gedge has been at it since 1985, releasing their debut LP George Best (named after a famous �60�s era soccer star) two years later on their own Reception Records label.

Michael Fremer  |  Sep 03, 2012  |  8 comments
The great Mexican-American roots-rocker Alejandro Escovedo is back with yet another great, hard rocking yet deeply thoughtful album, his second with veteran producer Tony Visconti. Visconti goes all the way back to David Bowie's epic The Man Who Sold the World and if you hear echoes of that album on some tracks here, like the haunting background voices on "Sally Was a Cop", the album's most powerful song, it's not a coincidence.

Michael Fremer  |  Jan 22, 2020  |  2 comments
R. Crumb’s cover illustration first drew me to this record, which recently arrived with others sent by Third Man Records. It opened to a triple gatefold that provided a fairly complete backgrounder on the folk violinist Alexis Zoumbas who was born in Ioannina, the capital of Epirus the Northern Greece region adjacent to Albania between the Pindus Mountains and the Ionian Sea. The notes by producer Christopher King suggest listening to the opening track “Epirotiko Mirologi” with undivided attention, which means stopping reading the extensive annotation.

Mark Smotroff  |  Jun 16, 2023  |  13 comments
Alice Cooper ascended to rock royalty with the raw punch and power of a pair of impactful back-to-back albums, November 1971’s Killer and June 1972’s School’s Out. Realizing that just reissuing the original LPs in simply remastered form was not going to be quite enough to properly celebrate the golden anniversaries of these two landmark records, the Warner/Rhino braintrust have seen fit to include a bounty of bonus materials on both 180g 3LP collections including live recordings, alternate takes, demos, and single mixes. Read Mark Smotroff’s combo review of a pair of now-expanded seminal Alice Cooper albums made better with their respective 50th anniversary vinyl editions. . .

Michael Fremer  |  Aug 01, 2003  |  1 comments

The good news is that playing before an audience, Alison Krauss and her crack back-up band Union Station can replicate the Bluegrass/pop fireworks—instrumentally and vocally—that they set off in the studio. That’s the bad news too, as whatever interplay there was between the group and the audience has been excised, and the arrangements and performances shed little new light on the mostly familiar tunes. That’s just fine by the fans, judging by the raucous, appreciative audience reaction at this concert, recorded at the Louisville Palace, in Louisville Kentucky, April 29th and 30th, 2002 while the group toured in support of New Favorite (Rounder 11661-0485 hybrid multi-channel SACD/Diverse Vinyl DIV001LP 180g LP). The fans at home obviously approved as well, as the album quickly went Platinum. One track, the familiar “Down to the River to Pray,” was recorded live on the “Austin City Limits” television program.

Michael Fremer  |  Jun 01, 2008  |  0 comments

Speaking personally, I never much cared for this corny West Coast band, particularly this incarnation, featuring lead singer Tom Johnston’s high-pitched, quivering and bleating.

Michael Fremer  |  Sep 01, 2009  |  1 comments

For some reason, this album became a Top 10 hit in America, but the Brits knew better and stayed away. Recorded live at a Toronto rock festival during which Lennon had fallen ill, the album features the Plastic Ono Band of Lennon, Yoko Ono, Eric Clapton, Klaus Voorman (bass and cover artist for Revolver) and Yes drummer Alan White doing a blah set of covers the Beatles had done better (“Money,” “Blue Suede Shoes,” and Dizzy Miss Lizzy,” plus “Yer Blues”) along with two new Lennon tunes, “Cold Turkey” and “Give Peace a Chance,” the hit single that drove album sales.

Michael Fremer  |  Jul 01, 2011  |  0 comments

Street playing string bands played some of the best music I heard at this year's SXSW conference in Austin, Texas. The Carolina Chocolate Drops out of Durham, North Carolina are one of the few African-American string bands plying the trade today. The trio plays fiddle, banjo, guitar, harmonica, bones (yes, bones) and other traditional instruments on this 10"  four tune EP. The group had a Grammy Award® winning album for "best traditional folk album" with their 2010 CD release "Genuine Negro Jig" also on Nonesuch.

Mark Smotroff  |  May 26, 2023  |  8 comments

Good news! Craft Recordings — the boutique vinyl arm of Concord Music, who control the catalogs of Fantasy, Riverside, Milestone, and many other related labels — has duly revived the Original Jazz Classics series as a brand imprint for the now times. One of the first titles being reissued by Craft under the vaunted OJC umbrella is out today, May 26, in a new, 180g 1LP all-analog remastered edition: Thelonious Monk With John Coltrane. Read Mark Smotroff’s review to see why this seminal mid-century collaboration between two jazz giants immediately belongs in your vinyl collection. . .

Michael Fremer  |  Sep 01, 2009  |  0 comments

The proliferation of Blue Note reissues on double vinyl, SACD and most recently XRCD has led to the inevitable negative reaction with some people complaining that the label’s mythological status is overblown.

Michael Fremer  |  Jan 01, 2006  |  0 comments

Back in the late 1950’s, veteran alto sax player, bandleader and arranger Benny Carter, who died at 95 back in July of 2003, spent much of his time arranging for television shows, among them Lee Marvin’s Chicago-based cop show “M-Squad”. Why no label has reissued 1959’s The Music From M Squad (RCA Living Stereo LSP-2062) remains a mystery to me. It’s got great big band “crime” music, much of which was arranged by Carter and written by him, session conductor Stanley Wilson, Count Basie and “Johnny Williams” (thatJohn Williams). Recorded by the great Al Schmitt at RCA Victor Music Center of The World, LA, it also sounds pretty damn good!

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